Poetry International Poetry International
Poem

Daniel Falb

observe these families of behavior

observe these families of behavior at living.  now we have the day of six billion.
historical battles reenact us and we, them.

overwhelmed by histamines many therefore are born naturally........ a carnival
rehearsed for years, but never staged for years.

......................... superior forms of shame, of sterilization, when you\'re a kitten.
the production of the face as hair removal and world fair.

crystal palace exhibits the very fire of nations and of natality................. here is
the address of a shrub, a small leaf, a clump of cells.

i entered the national pavilion and exited as an extended family. i transplanted 
in 1967 the first human heart—into twins.

.......... convenient walkways link the sands, convenient run times light them up
flamingly, the biennale. monochrome colored-in microphages.

....................... which phase of work is that and what of it remains. the rejection
of the organs. the rejection of—the hand, the artist.

observe these families of behavior

sieh diesen handlungsfamilien beim wohnen zu. heute ist der tag der sechs milliarden.
historische schlachten stellen uns nach und wir sie.

von histaminen überwältigt kommen somit viele natürlich zur welt....... ein über jahre
geprobter, über jahre nicht aufgeführter festumzug.

................. überlegene formen des schämens, der sterilisation, wenn du ein kitten bist.
die hervorbringung des gesichtes als enthaarung und weltausstellung.

crystal palace zeigt das feuer selbst der nationen wie der gebürtlichkeit............ das ist
die adresse eines strauches, eines blättchens, eines zellhaufens.

ich betrat den länderpavillion und kam als großfamilie wieder heraus.  ich verpflanzte
1967 das erste menschliche herz, in zwillinge.

bequeme laufwege verlinken die sande, bequeme laufzeiten erleuchten sie flammend,
die biennale. einfarbig ausgemalte makrophagen.

.................. welche werkphase ist das und was davon bleibt. die abstoßung der organe.
die abstoßung, der hand, der künstlerin.
Close

observe these families of behavior

observe these families of behavior at living.  now we have the day of six billion.
historical battles reenact us and we, them.

overwhelmed by histamines many therefore are born naturally........ a carnival
rehearsed for years, but never staged for years.

......................... superior forms of shame, of sterilization, when you\'re a kitten.
the production of the face as hair removal and world fair.

crystal palace exhibits the very fire of nations and of natality................. here is
the address of a shrub, a small leaf, a clump of cells.

i entered the national pavilion and exited as an extended family. i transplanted 
in 1967 the first human heart—into twins.

.......... convenient walkways link the sands, convenient run times light them up
flamingly, the biennale. monochrome colored-in microphages.

....................... which phase of work is that and what of it remains. the rejection
of the organs. the rejection of—the hand, the artist.

observe these families of behavior

observe these families of behavior at living.  now we have the day of six billion.
historical battles reenact us and we, them.

overwhelmed by histamines many therefore are born naturally........ a carnival
rehearsed for years, but never staged for years.

......................... superior forms of shame, of sterilization, when you\'re a kitten.
the production of the face as hair removal and world fair.

crystal palace exhibits the very fire of nations and of natality................. here is
the address of a shrub, a small leaf, a clump of cells.

i entered the national pavilion and exited as an extended family. i transplanted 
in 1967 the first human heart—into twins.

.......... convenient walkways link the sands, convenient run times light them up
flamingly, the biennale. monochrome colored-in microphages.

....................... which phase of work is that and what of it remains. the rejection
of the organs. the rejection of—the hand, the artist.
Sponsors
Gemeente Rotterdam
Nederlands Letterenfonds
Stichting Van Beuningen Peterich-fonds
Prins Bernhard cultuurfonds
Lira fonds
Versopolis
J.E. Jurriaanse
Gefinancierd door de Europese Unie
Elise Mathilde Fonds
Stichting Verzameling van Wijngaarden-Boot
Veerhuis
VDM
Partners
LantarenVenster – Verhalenhuis Belvédère