Hédi Kaddour

Kaddour’s debut collection of poetry, Le chardon mauve, was published in 1987 by Ipomée. His breakthrough came two years later with his first book for Gallimard, La fin des vendanges, which received exceptionally favourable reviews. In the same year, he published a collection of translations of Wallace Stevens, and began to contribute poems and essays with some frequency to the Nouvelle Revue Française. A selection of these, L’Émotion impossible, was published in 1994 – the title being a homage to Joseph Brodsky.
 
Kaddour, who is a university professor of French literature, is mainly interested in those poets of the great European tradition who have found their own way of “reducing the unified song of the nightingale to silence by deserting the place of the poet”. By the place of the poet, he means the subjective ‘I’ as origin, goal and meaning of poetry. What remains is a lyricism of the empty chair, and it is therefore no coincidence that the title of Kaddour’s third collection of poetry is La chaise vide. This book was followed by two more collections, the last of which was published in 2000.
 
Currently Kaddour is concentrating on prose, and he was awarded the Prix Goncourt du Premier Roman for his novel Waltenberg (2005). Bibliography
 
Poetry
 
Le chardon mauve, Ipomée, Moulins, 1987
La fin des vendanges, Gallimard, Paris, 1989
La chaise vide, Obsidiane, Sens, 1992
Jamais une ombre simple, Gallimard, Paris, 1994
Passage au Luxembourg, Gallimard, Paris, 2000
 
Novels
 
Waltenberg, Gallimard, Paris, 2005
Savoir-vivre, Gallimard, Paris, 2010
 
Other prose
 
Aborder la poésie, Seuil, Paris, 1997 (educational book)
L’Émotion impossible, Le Temps qu’il fait, Cognac, 1994 (essays)
Les pierres qui montent: Notes et croquis de l’année 2008, Gallimard, Paris, 2010 (diary)