Kim Hyesoon

Kim began to receive critical recognition from the late 1990s. She believes that the recognition of her work was due to the strong emergence of women’s poetry over the past few decades. Kim has won numerous literary prizes and was the first woman to receive the coveted Midang (2006) and Kim Su-yŏng (1998) awards named after two major contemporary poets. Midang was a poet who stood for “pure poetry” (sunsusi) while Kim Su-yŏng’s poetry is closely associated with “engaged poetry” (ch’amyŏsi) that displays historical consciousness.

Kim’s poetry goes beyond the expectations of established aesthetics and traditional “female poetry” (yŏryusi), which is characterised by its passive, refined language. In her experimental work she explores women’s multiple and simultaneous existence as grandmothers, mothers, and daughters in the context of Korea’s highly patriarchal society, a nation that is still under neo-colonial rule by the US. Kim’s poetics are rooted in her attempt to resist conventional literary forms and language long defined by men in Korea. According to Kim, “women poets oppose and resist their conditions, using unconventional forms of language because their resistance has led them to a language that is unreal, surreal, and even fantastical. The language of women’s poetry is internal, yet defiant and revolutionary.” Kim Hyesoon, featured at the 51st Poetry International Festival in Poets on Stage, read at the 41st Festival. This text was written for her earlier appearance in Rotterdam.


Bibliography

Poetry
Tto tarŭn pyŏl esŏ (From Another Star), Munhak kwa chisŏng sa, Seoul, 1981
Abŏjiga seun hŏsuabi (Father’s Scarecrow), Munhak kwa chisŏng sa, Seoul, 1985
Ŏnŭ pyŏl ŭi chiok (The Hell of a Certain Star), Ch’ŏngha Seoul, 1988. Reprinted by Munhakdongnae, 1997
Uridŭl ŭi ŭmhwa (Our Negative), Munhak kwa chisŏng sa, Seoul, 1991
Na ŭi up’anisyadŭ, Sŏul (Seoul, my Upanishad), Munhak kwa chisŏng sa, Seoul, 1994
Pulssanghan sarang kigye (Poor Love Machine), Munhak kwa chisŏng sa, Seoul, 1997
Talyŏk kongjang kongjang jangnim poseyŏ (Calendar Factory Supervisor), Munhak kwa chisŏng sa, Seoul, 2000
Han chan ŭi pulgŭn kŏul (A Glass of Red Wine), Munhak kwa chisŏng sa, Seoul, 2004
Tangshin ŭi ch’ŏt (Your First), Munhak kwa chisŏng sa, Seoul, 2008

Literary criticism
Yŏsŏngi kŭrŭl ssŭndanŭn kŏtsŭn (To Write as a Woman), Munhakdongnae, Seoul, 2002

In translation

English
When the Plug Gets Unplugged, Tinfish Press, 2005
Anxiety of Words: Contemporary Poetry by Korean Women, Zephyr Press, 2006
Mommy Must be a Fountain of Feathers, Action Books, Notre Dame, Indiana, 2008
Sorrowtoothpaste Mirrorcream, Action Books, Notre Dame, Indiana, 2014
I'm Ok, I'm Pig! Bloodaxe Books Northumberland, UK, 2014
Autobiography of Death New Directions, New York, 2018

German
Die Frau im Wolkenschloss, Pendragon, 2001

Spanish
El Tiempo Transparente, Pontificia Universidad Catolica del Peru, 1996

Literary awards
1997 Kim Su-yŏng Poetry Award
2000 Contemporary Poetry Prize
2001 So-wŏl Poetry Award
2004 Annual Arts & Letters Award
2006 Midang Poetry Prize
2008 Daesan Literary Award
2019 Lee Hyoung-Gi Literary Award
2019 Korea Culture & Art Prize
2019 Griffin Poetry Prize


Links
Feature article about Kim and her international reception in the Yonhap News
Joel Scott reviews Kim Hyesoon’s poetry, as well as the poetry written by her translator Don Mee Choi, at Cordite.
Jacket2 review of Kim’s Mommy Must be a Fountain of Feathers
Interview with Kim in Guernica
Johannes Göransson writes about Kim, Rebecca Loudon and Maroso di Giorgio at the Poetry Foundation