Poem
Peter Riley
FROM SECOND SETT
FROM SECOND SETT
FROM SECOND SETT
IHeaps of fruit piled up against the houses
grandfathers piled up in the ground
churchyard fruit, pears, cherries
travellers selling small bags of hazels
If all the world is to go the same way —
all one empire, all serving the one broker? —
a thin sigh in the fields, baby
where did our love go?
The house in the fields
breathes, its timbers
flex in the night changes,
the star wheels churn
Piles of apples outside in the yard
yellow and red in separate heaps
slowly, under careful control
rotting into the music.
XI
Open land, then forest, then air.
Leonardo Bruni said that the harmonious
workings of the institutions of Florence
derived from the beauty and geometry
of the Tuscan landscape.
A thin track, a line in the grass across
the pastures and over the riverside humps
everywhere worked, the shape of the place
carved from work, lines curving to meet,
leading ultimately homewards
© 2005, Peter Riley
From: A Map of Faring
Publisher: Parlor Press, West Lafayette, Indiana
From: A Map of Faring
Publisher: Parlor Press, West Lafayette, Indiana
Peter Riley
(United Kingdom of Great Britain and Northern Ireland, 1940)
Peter Riley must now count as one of our ‘senior poets’, with a large back-catalogue of publications, but he occupies a strange position in contemporary English letters, due in no small part to the sheer range of his work. In some respects, this range, and his interests, rule him out of contention for a number of critics, and it would be fair to say that he probably annoys as many critics from ...
Poems
Poems of Peter Riley
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FROM SECOND SETT
IHeaps of fruit piled up against the houses
grandfathers piled up in the ground
churchyard fruit, pears, cherries
travellers selling small bags of hazels
If all the world is to go the same way —
all one empire, all serving the one broker? —
a thin sigh in the fields, baby
where did our love go?
The house in the fields
breathes, its timbers
flex in the night changes,
the star wheels churn
Piles of apples outside in the yard
yellow and red in separate heaps
slowly, under careful control
rotting into the music.
XI
Open land, then forest, then air.
Leonardo Bruni said that the harmonious
workings of the institutions of Florence
derived from the beauty and geometry
of the Tuscan landscape.
A thin track, a line in the grass across
the pastures and over the riverside humps
everywhere worked, the shape of the place
carved from work, lines curving to meet,
leading ultimately homewards
From: A Map of Faring
FROM SECOND SETT
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