Poem
Peter Riley
EKELÖF\'S DREAM
EKELÖF\'S DREAM
EKELÖF\'S DREAM
150. Ekelöf’s DreamDead hand in my hand responding, turning, dead taste in my mouth like stale rice. Histories of fear: How the king was dismembered. And when only an arm and head were left was asked, “Are you still sentient?” Yes: the big blue eyes staring out hard and clear to the horizon muttering She and onlie she /what shall I do without Che farò senza and where do it? — on what map, on what paper smeared with dismal farms. The answering silence
2. The answering enemy, the Warrior who tried to kill my voice but missed and struck a hole just above my eyes, black ticket to the cancelled future, small with insipidity and unresponse, caught in the dream unable to [wake, die, love] at the mercy of time’s silence again — but also, “a kind of turning” [tillvändhet: to/from-ness] /these, who craved for life, and lie, like left-overs on a plate, rubbish in the street. Plimsoll altars, full of static, all the messages wrenched to a capsule, until the unfolding. Until the soul is called out of it (because someone needs it) — father, mother, wife, turn again.
© 2004, Peter Riley
From: Excavations
Publisher: Reality Street Editions, Hastings
From: Excavations
Publisher: Reality Street Editions, Hastings
Peter Riley
(United Kingdom of Great Britain and Northern Ireland, 1940)
Peter Riley must now count as one of our ‘senior poets’, with a large back-catalogue of publications, but he occupies a strange position in contemporary English letters, due in no small part to the sheer range of his work. In some respects, this range, and his interests, rule him out of contention for a number of critics, and it would be fair to say that he probably annoys as many critics from ...
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EKELÖF\'S DREAM
150. Ekelöf’s DreamDead hand in my hand responding, turning, dead taste in my mouth like stale rice. Histories of fear: How the king was dismembered. And when only an arm and head were left was asked, “Are you still sentient?” Yes: the big blue eyes staring out hard and clear to the horizon muttering She and onlie she /what shall I do without Che farò senza and where do it? — on what map, on what paper smeared with dismal farms. The answering silence
2. The answering enemy, the Warrior who tried to kill my voice but missed and struck a hole just above my eyes, black ticket to the cancelled future, small with insipidity and unresponse, caught in the dream unable to [wake, die, love] at the mercy of time’s silence again — but also, “a kind of turning” [tillvändhet: to/from-ness] /these, who craved for life, and lie, like left-overs on a plate, rubbish in the street. Plimsoll altars, full of static, all the messages wrenched to a capsule, until the unfolding. Until the soul is called out of it (because someone needs it) — father, mother, wife, turn again.
From: Excavations
EKELÖF\'S DREAM
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