Poem
Vicky Francken
X-Ray Model
ILift your shirt, I want to check
it’s purring under the hood
but turn the light off, your lungs are lovely
in the dark. Listen: that rumble
can be remedied, but isn’t it glorious
to carry the sound of the sea?
Blood banging the drum.
There’s a snail living in the shell
you lift to your ear.
II
The machine is a lighthouse
that every now and then lights up
to guide you through the milling
shallows, this way.
They want to help you
but you feel small and in the open.
Your legs are nice and firm
but in China, they’d have them broken.
III
You lie on the bed like it’s carbon paper.
You leave traces.
A shield of quill-pens on your chest
shows your blood’s still flowing.
The doctor wears a white coat
but calls himself a photographer.
IV
When I see you lying there like that
I want to splint you
and loan you my autograph.
We are all of us
alone. We are
many.
V
Can you strike a different pose?
Your vital statistics – I see them shimmer
just outside your insides, if you would just –
yeah, like that – a picture-perfect interior
didn’t I tell you.
VI
You don’t like seeing yourself:
your skeleton only lights up
when you turn on the box
but your chart
glows with praise
looking good today, as usual.
VII
Headfirst over the pain threshold
ribs like bread for breaking
is there someone
who’ll hold you up to the light
will there be someone
who longs to hold you
VIII
Cheers. Now that your bracelet’s off
after all this time, I do need to see
your ID. Show the document
that states how long you’ve been a human being.
I’ve taken so many shots of you
and now you’re free to go.
Be glad.
© Translation: 2020, Emma Rault
Röntgenfotomodel
Röntgenfotomodel
ITil je hemd op, ik wil zien dat het klopt
maar doe het licht uit, je longen zijn mooi
in het donker. Luister: dat ruisje
kan wel verholpen, maar is het niet hemels
de zee mee te nemen?
Bloed dat de trom slaat.
Er leeft een slak in de schelp
die je aan je oor zet.
II
Het apparaat is een vuurtoren
die af en toe oplicht
om je door ondiepe armen
te loodsen, deze kant op.
Ze willen je helpen
maar je voelt je klein en bekeken.
Je hebt gezonde, stevige benen
maar in China zou men ze breken.
III
Je ligt op bed als op carbonpapier.
Je laat je sporen na.
Een schild van verenpennen op je borst
laat zien dat je bloed het nog doet.
De dokter draagt een witte jas
maar noemt zich fotograaf.
IV
Als je daar zo ligt wil ik je spalken
en je mijn handtekening lenen.
We zijn allemaal
alleen. We zijn
met velen.
V
Kun je nog een andere pose aannemen?
De ideale verhoudingen, ik zie ze schitteren
aan de rand van je binnenkant, als je nou even, zo
ja, vanbinnen een voorbeeld
ik zei het je toch.
VI
Je ziet jezelf niet graag:
je skelet geeft pas licht
als je de bak aanzet
maar op het rapport staan
zalvende woorden
je staat er weer mooi op vandaag.
VII
Halsoverkop de pijndrempel over
ribben als brood om te breken
of er iemand is
die je tegen het licht houdt
of er iemand komt
die ernaar verlangt je te strelen
VIII
Proost. Nu je geen armband meer draagt
moet ik je na al die tijd toch vragen
om legitimatie. Toon het document
dat zegt hoe lang je al mens
bent. Zoveel foto’s van je
gemaakt en nu mag je gaan.
Wees blij.
© 2017, Vicky Francken
From: Röntgenfotomodel
Publisher: De Bezige Bij, Amsterdam
From: Röntgenfotomodel
Publisher: De Bezige Bij, Amsterdam
Poems
Poems of Vicky Francken
Close
X-Ray Model
ILift your shirt, I want to check
it’s purring under the hood
but turn the light off, your lungs are lovely
in the dark. Listen: that rumble
can be remedied, but isn’t it glorious
to carry the sound of the sea?
Blood banging the drum.
There’s a snail living in the shell
you lift to your ear.
II
The machine is a lighthouse
that every now and then lights up
to guide you through the milling
shallows, this way.
They want to help you
but you feel small and in the open.
Your legs are nice and firm
but in China, they’d have them broken.
III
You lie on the bed like it’s carbon paper.
You leave traces.
A shield of quill-pens on your chest
shows your blood’s still flowing.
The doctor wears a white coat
but calls himself a photographer.
IV
When I see you lying there like that
I want to splint you
and loan you my autograph.
We are all of us
alone. We are
many.
V
Can you strike a different pose?
Your vital statistics – I see them shimmer
just outside your insides, if you would just –
yeah, like that – a picture-perfect interior
didn’t I tell you.
VI
You don’t like seeing yourself:
your skeleton only lights up
when you turn on the box
but your chart
glows with praise
looking good today, as usual.
VII
Headfirst over the pain threshold
ribs like bread for breaking
is there someone
who’ll hold you up to the light
will there be someone
who longs to hold you
VIII
Cheers. Now that your bracelet’s off
after all this time, I do need to see
your ID. Show the document
that states how long you’ve been a human being.
I’ve taken so many shots of you
and now you’re free to go.
Be glad.
© 2020, Emma Rault
From: Röntgenfotomodel
From: Röntgenfotomodel
X-Ray Model
ILift your shirt, I want to check
it’s purring under the hood
but turn the light off, your lungs are lovely
in the dark. Listen: that rumble
can be remedied, but isn’t it glorious
to carry the sound of the sea?
Blood banging the drum.
There’s a snail living in the shell
you lift to your ear.
II
The machine is a lighthouse
that every now and then lights up
to guide you through the milling
shallows, this way.
They want to help you
but you feel small and in the open.
Your legs are nice and firm
but in China, they’d have them broken.
III
You lie on the bed like it’s carbon paper.
You leave traces.
A shield of quill-pens on your chest
shows your blood’s still flowing.
The doctor wears a white coat
but calls himself a photographer.
IV
When I see you lying there like that
I want to splint you
and loan you my autograph.
We are all of us
alone. We are
many.
V
Can you strike a different pose?
Your vital statistics – I see them shimmer
just outside your insides, if you would just –
yeah, like that – a picture-perfect interior
didn’t I tell you.
VI
You don’t like seeing yourself:
your skeleton only lights up
when you turn on the box
but your chart
glows with praise
looking good today, as usual.
VII
Headfirst over the pain threshold
ribs like bread for breaking
is there someone
who’ll hold you up to the light
will there be someone
who longs to hold you
VIII
Cheers. Now that your bracelet’s off
after all this time, I do need to see
your ID. Show the document
that states how long you’ve been a human being.
I’ve taken so many shots of you
and now you’re free to go.
Be glad.
© 2020, Emma Rault
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