Poetry International Poetry International
Poem

Claudiu Komartin

Irina

I remember a brick house
and a long alley descending toward a courtyard in shadow
where in August the unmown grass stood high,
up to my knees. I can see Irina’s body stretched out there,
among the thistles, the small insects, the boxwoods – and the world
slowing to the rhythm of the rise and fall

of her chest, until full abandonment of the self. An ecstatic smile.
I keep in my mind her thin ankle (a little reddened where
the strap of her sandal rubbed)
and her white thigh, all but singing, stirred
by a gust of wind out of nowhere.
Nearly two years have gone by.

It’s summer again, an overwhelming season
that dictates even my least movement.
In the meantime her body has filled out,
she now wears her hair longer
(they tell me) and the fury, oh well, my fury has diminished,
distilled by so many things, so many words.

I’m a lonely, polite man
imagining more and more often
a brick house
and a long alley
descending toward a cold place in shadow,
to which there’s no return.

Irina

Irina

Îmi amintesc o casă de cărămidă
şi o alee lungă, coborând către o curte întunecoasă
în care iarba necosită se ridica în august
până la genunchi. Revăd acolo corpul Irinei,
prăbuşit printre scaieţi, gângănii, tufe de cimişir – şi lumea
încetinind lent,

în ritm cu freamătul pieptului ei, până la o
părăsire totală. Surâzând extatic.
Am în minte glezna aceea subţire (doar puţin înroşită
de bareta sandalei)
şi pulpa albă, aproape cântând,
înfiorată de vântul stârnit din senin.

Au trecut aproape doi ani.
Este vară din nou, un anotimp copleşitor
ce îmi dictează şi cea mai simplă mişcare.
Trupul ei s-a împlinit între timp, părul îl poartă mai lung
(mi se spune), iar furia, ei bine,
furia mi s-a domolit, distilată prin atâtea lucruri şi vorbe.

Sunt un om politicos şi singur
imaginându-şi tot mai des
o casă de cărămidă
şi o alee lungă,
coborând către un loc întunecos şi rece,
fără întoarcere.
Close

Irina

I remember a brick house
and a long alley descending toward a courtyard in shadow
where in August the unmown grass stood high,
up to my knees. I can see Irina’s body stretched out there,
among the thistles, the small insects, the boxwoods – and the world
slowing to the rhythm of the rise and fall

of her chest, until full abandonment of the self. An ecstatic smile.
I keep in my mind her thin ankle (a little reddened where
the strap of her sandal rubbed)
and her white thigh, all but singing, stirred
by a gust of wind out of nowhere.
Nearly two years have gone by.

It’s summer again, an overwhelming season
that dictates even my least movement.
In the meantime her body has filled out,
she now wears her hair longer
(they tell me) and the fury, oh well, my fury has diminished,
distilled by so many things, so many words.

I’m a lonely, polite man
imagining more and more often
a brick house
and a long alley
descending toward a cold place in shadow,
to which there’s no return.

Irina

I remember a brick house
and a long alley descending toward a courtyard in shadow
where in August the unmown grass stood high,
up to my knees. I can see Irina’s body stretched out there,
among the thistles, the small insects, the boxwoods – and the world
slowing to the rhythm of the rise and fall

of her chest, until full abandonment of the self. An ecstatic smile.
I keep in my mind her thin ankle (a little reddened where
the strap of her sandal rubbed)
and her white thigh, all but singing, stirred
by a gust of wind out of nowhere.
Nearly two years have gone by.

It’s summer again, an overwhelming season
that dictates even my least movement.
In the meantime her body has filled out,
she now wears her hair longer
(they tell me) and the fury, oh well, my fury has diminished,
distilled by so many things, so many words.

I’m a lonely, polite man
imagining more and more often
a brick house
and a long alley
descending toward a cold place in shadow,
to which there’s no return.
Sponsors
Gemeente Rotterdam
Nederlands Letterenfonds
Stichting Van Beuningen Peterich-fonds
Prins Bernhard cultuurfonds
Lira fonds
Versopolis
J.E. Jurriaanse
Gefinancierd door de Europese Unie
Elise Mathilde Fonds
Stichting Verzameling van Wijngaarden-Boot
Veerhuis
VDM
Partners
LantarenVenster – Verhalenhuis Belvédère