Poetry International Poetry International
Poem

Durs Grünbein

Vita brevis

In a rotten nutshell, I grew up amid the barrenness and confusion
That lie in wait for anything that mistakes itself. Among stoolies and spies,
I risked my neck on the empty parade ground, kept shtum in the silent masses,
A clown with seven tongues, a choirboy with an ear for cynical jokes.
Unasked, I spoke as others might spit, out of the side of my mouth,
And masked my own shocking helplessness with black humour.
History was no use to me, all it showed was human failings anyway.
Where I grew up, greatness was something you read about in saints’ lives.

Imbibed with my reading was hypocrisy. In a few infantile etudes,
I played doubting Thomas to the devout, Peter the Rock to heretics.
I saw the zero beribboned, and the colossus ground down by dwarves.
The born deserter: sooner die than take aim at the heart.
I puked out of tanks, cried myself to sleep in barracks.
Shaved my skewed grin over a bucket, under canvas.
I did in my knee at football, but my soul fared much worse.
How often I would come home with the lie on my lips: ‘All right. Nothing much.’
I stacked files to feed the shredder, applied green paint to trees,
Fantasized about everything under the sun, and a few things that aren’t.
Utopia, for instance... Ever since Thomas More, those isles have been bleak.
In the concrete wastes, I embraced my first scrawny body.
For want of lilies, I sniffed the garbage on the breeze, guzzled the aromas
Of canteen and abattoir, and the stench of overcrowded trains.
A palace in grey concrete was my Ecole des Beaux Arts,
Where the classrooms chorussed: Muse, excuse me if I lie...
I had all the time in the world for reflection, but there was nothing
To shake a stick at. The new bibles weren’t worth the paper
They were printed on, and the only lesson for living was: Do without.

A prison reglement. It was all a long time ago, and lo, I’m still here.
Where states melted away like sand castles, and illusion was at a premium,
It was second nature to me to turn the music up, and softly hum
The two or three lines that were sufficient to put the country
Under water. As I embarked on my sentimental journey
Through nettle fields and villages, the other way to the exodus,
The sergeant’s Russian bawl: ‘Dawai, dawai!’ was still ringing in my ear.
Nostalgia’s falsetto recommended something exotic before you hand in
Your dinner pail
. What say the Hawaiian beaches?

Vita brevis

Vita brevis

Kurz und bös, ich bin großgeworden im öden Schlamassel,
Der allem droht, was sich verkennt. Unter Spatzen und Spitzeln
War ich auf leerem Appellplatz tollkühn, schweigsam in stummer Masse.
Ein Clown, siebenzüngig, ein Chorknabe, scharf auf die zynischen Witze.
Ungefragt sprechend wie andere spucken, beiseite
Hab ich die Schocks der Ohnmacht verleugnet mit schwarzem Humor.
Denn die Historie war mir von Nachteil, des Menschen Pleite.
Dort wo ich aufwuchs, kam Größe nur in Legenden vor.

Gleich mit dem Lesen hab ich Verstellung gelernt, in frühen Etüden
Unter Frömmlern den Thomas, vor Ketzern Sankt Petrus gespielt.
Ich sah die Null hochdekoriert, unter Zwergen den Riesen ermüden.
Der geborene Deserteur: lieber tot als auf Herzen gezielt.
Ich hab aus Panzern gekotzt, in Kasernen mich in den Schlaf geheult,
Im Zeltlager überm Kübel mein schiefes Grinsen rasiert.
Mehr als mein Knie vom Fußball war bald die Seele zerbeult.
Oft kam ich heim mit dem Meineid ‘Schon gut. Nichts passiert.’
Ich habe Akten gestempelt vorm Reißwolf, Bäume grün angepinselt,
Phantasiert über alles, und manches was es im Traum nicht mal gibt.
Utopia zum Beispiel... Seit Morus spielt das auf rauhen Inseln.
In den Neubausteppen hab ich den ersten mageren Körper geliebt,
Lang vor den Lilien den Müllwind geschnüffelt, die Dünste
Aus Kantine und Schlachthof und den Gestank voller Züge.
Ein Palast in Betongrau, das war die Schule der Schönen Künste.
Und aus den Klassen sang es: Ihr Musen, vergebt, wenn ich lüge...
Alle Bedenkzeit der Welt hab ich gehabt, doch es gab nichts
Was das Kopfschütteln lohnte. Die neuen Bibeln warn das Papier
Nicht mehr wert, und fürs Leben die einzige Lehre: die des Verzichts.

Eine Knastlitanei. Lang ists her, und sieh da, ich bin immer noch hier.
Wo Staaten wie Sandburgen rutschten, die Illusion hoch im Kurs stand
War es Instinkt, die Musik lauter zu stellen und leise
Die zwei, drei Zeilen zu summen die dieses Land
Unter Wasser setzten. So ging ich allein auf die Reise,
Zurück durch die Brennesselfelder, die Dörfer, entgegen den Trecks,
Im Ohr noch den russischen Laut des Sergeanten: ‘Dawai, dawai!’.
Nostalgie, eine fistelnde Stimme, empfahl mir Bevor du verreckst
Irgendwas Fernes. Die Brandung am Strand von Hawaii?
Close

Vita brevis

In a rotten nutshell, I grew up amid the barrenness and confusion
That lie in wait for anything that mistakes itself. Among stoolies and spies,
I risked my neck on the empty parade ground, kept shtum in the silent masses,
A clown with seven tongues, a choirboy with an ear for cynical jokes.
Unasked, I spoke as others might spit, out of the side of my mouth,
And masked my own shocking helplessness with black humour.
History was no use to me, all it showed was human failings anyway.
Where I grew up, greatness was something you read about in saints’ lives.

Imbibed with my reading was hypocrisy. In a few infantile etudes,
I played doubting Thomas to the devout, Peter the Rock to heretics.
I saw the zero beribboned, and the colossus ground down by dwarves.
The born deserter: sooner die than take aim at the heart.
I puked out of tanks, cried myself to sleep in barracks.
Shaved my skewed grin over a bucket, under canvas.
I did in my knee at football, but my soul fared much worse.
How often I would come home with the lie on my lips: ‘All right. Nothing much.’
I stacked files to feed the shredder, applied green paint to trees,
Fantasized about everything under the sun, and a few things that aren’t.
Utopia, for instance... Ever since Thomas More, those isles have been bleak.
In the concrete wastes, I embraced my first scrawny body.
For want of lilies, I sniffed the garbage on the breeze, guzzled the aromas
Of canteen and abattoir, and the stench of overcrowded trains.
A palace in grey concrete was my Ecole des Beaux Arts,
Where the classrooms chorussed: Muse, excuse me if I lie...
I had all the time in the world for reflection, but there was nothing
To shake a stick at. The new bibles weren’t worth the paper
They were printed on, and the only lesson for living was: Do without.

A prison reglement. It was all a long time ago, and lo, I’m still here.
Where states melted away like sand castles, and illusion was at a premium,
It was second nature to me to turn the music up, and softly hum
The two or three lines that were sufficient to put the country
Under water. As I embarked on my sentimental journey
Through nettle fields and villages, the other way to the exodus,
The sergeant’s Russian bawl: ‘Dawai, dawai!’ was still ringing in my ear.
Nostalgia’s falsetto recommended something exotic before you hand in
Your dinner pail
. What say the Hawaiian beaches?

Vita brevis

In a rotten nutshell, I grew up amid the barrenness and confusion
That lie in wait for anything that mistakes itself. Among stoolies and spies,
I risked my neck on the empty parade ground, kept shtum in the silent masses,
A clown with seven tongues, a choirboy with an ear for cynical jokes.
Unasked, I spoke as others might spit, out of the side of my mouth,
And masked my own shocking helplessness with black humour.
History was no use to me, all it showed was human failings anyway.
Where I grew up, greatness was something you read about in saints’ lives.

Imbibed with my reading was hypocrisy. In a few infantile etudes,
I played doubting Thomas to the devout, Peter the Rock to heretics.
I saw the zero beribboned, and the colossus ground down by dwarves.
The born deserter: sooner die than take aim at the heart.
I puked out of tanks, cried myself to sleep in barracks.
Shaved my skewed grin over a bucket, under canvas.
I did in my knee at football, but my soul fared much worse.
How often I would come home with the lie on my lips: ‘All right. Nothing much.’
I stacked files to feed the shredder, applied green paint to trees,
Fantasized about everything under the sun, and a few things that aren’t.
Utopia, for instance... Ever since Thomas More, those isles have been bleak.
In the concrete wastes, I embraced my first scrawny body.
For want of lilies, I sniffed the garbage on the breeze, guzzled the aromas
Of canteen and abattoir, and the stench of overcrowded trains.
A palace in grey concrete was my Ecole des Beaux Arts,
Where the classrooms chorussed: Muse, excuse me if I lie...
I had all the time in the world for reflection, but there was nothing
To shake a stick at. The new bibles weren’t worth the paper
They were printed on, and the only lesson for living was: Do without.

A prison reglement. It was all a long time ago, and lo, I’m still here.
Where states melted away like sand castles, and illusion was at a premium,
It was second nature to me to turn the music up, and softly hum
The two or three lines that were sufficient to put the country
Under water. As I embarked on my sentimental journey
Through nettle fields and villages, the other way to the exodus,
The sergeant’s Russian bawl: ‘Dawai, dawai!’ was still ringing in my ear.
Nostalgia’s falsetto recommended something exotic before you hand in
Your dinner pail
. What say the Hawaiian beaches?
Sponsors
Gemeente Rotterdam
Nederlands Letterenfonds
Stichting Van Beuningen Peterich-fonds
Prins Bernhard cultuurfonds
Lira fonds
Versopolis
J.E. Jurriaanse
Gefinancierd door de Europese Unie
Elise Mathilde Fonds
Stichting Verzameling van Wijngaarden-Boot
Veerhuis
VDM
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