Poem
Fleur Adcock
The Belly Dancer
The Belly Dancer
The Belly Dancer
Across the road the decorators have finished;
your flat has net curtains again
after all these weeks, and a ‘To Let’ sign.
I can only think of it as a tomb,
excavated, in the end, by
explorers in facemasks and protective spacesuits.
No papers, no bank account, no next of kin;
only a barricade against the landlord,
and the police at our doors, early, with questions.
What did we know? Not much: a Lebanese name,
a soft English voice; chats in the street
in your confiding phase; the dancing.
You sat behind me once at midnight Mass.
You were Orthodox, really; church
made you think of your mother, and cry.
From belly dancer to recluse, the years
and the stealthy ballooning of your outline,
kilo by kilo, abducted you.
Poor girl, I keep saying; poor girl –
no girl, but young enough to be my daughter.
I called at your building once, canvassing;
your face loomed in the hallway and, forgetting
whether or not we were social kissers,
I bounced my lips on it. It seemed we were not.
They’ve even replaced your window frames. I still
imagine a midden of flesh, and that smell
you read about in reports of earthquakes.
They say there was a heart beside your doorbell
upstairs. They say all sorts. They would –
who’s to argue? I don’t regret the kiss.
your flat has net curtains again
after all these weeks, and a ‘To Let’ sign.
I can only think of it as a tomb,
excavated, in the end, by
explorers in facemasks and protective spacesuits.
No papers, no bank account, no next of kin;
only a barricade against the landlord,
and the police at our doors, early, with questions.
What did we know? Not much: a Lebanese name,
a soft English voice; chats in the street
in your confiding phase; the dancing.
You sat behind me once at midnight Mass.
You were Orthodox, really; church
made you think of your mother, and cry.
From belly dancer to recluse, the years
and the stealthy ballooning of your outline,
kilo by kilo, abducted you.
Poor girl, I keep saying; poor girl –
no girl, but young enough to be my daughter.
I called at your building once, canvassing;
your face loomed in the hallway and, forgetting
whether or not we were social kissers,
I bounced my lips on it. It seemed we were not.
They’ve even replaced your window frames. I still
imagine a midden of flesh, and that smell
you read about in reports of earthquakes.
They say there was a heart beside your doorbell
upstairs. They say all sorts. They would –
who’s to argue? I don’t regret the kiss.
© 2012, Fleur Adcock
From: Glass Wings
Publisher: Bloodaxe, Newcastle
From: Glass Wings
Publisher: Bloodaxe, Newcastle
Fleur Adcock
(New Zealand, 1934)
Fleur Adcock has been one of the most influential poets in Britain in the past thirty years. Her deceptively quiet poems collect detail about the world in much the same way as a child collects insects in boxes – something a young Fleur Adcock also did. Emigrating to England from New Zealand in 1963, she wrote poems about the process of belonging and about the life of the place. Since then she h...
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Poems of Fleur Adcock
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The Belly Dancer
Across the road the decorators have finished;
your flat has net curtains again
after all these weeks, and a ‘To Let’ sign.
I can only think of it as a tomb,
excavated, in the end, by
explorers in facemasks and protective spacesuits.
No papers, no bank account, no next of kin;
only a barricade against the landlord,
and the police at our doors, early, with questions.
What did we know? Not much: a Lebanese name,
a soft English voice; chats in the street
in your confiding phase; the dancing.
You sat behind me once at midnight Mass.
You were Orthodox, really; church
made you think of your mother, and cry.
From belly dancer to recluse, the years
and the stealthy ballooning of your outline,
kilo by kilo, abducted you.
Poor girl, I keep saying; poor girl –
no girl, but young enough to be my daughter.
I called at your building once, canvassing;
your face loomed in the hallway and, forgetting
whether or not we were social kissers,
I bounced my lips on it. It seemed we were not.
They’ve even replaced your window frames. I still
imagine a midden of flesh, and that smell
you read about in reports of earthquakes.
They say there was a heart beside your doorbell
upstairs. They say all sorts. They would –
who’s to argue? I don’t regret the kiss.
your flat has net curtains again
after all these weeks, and a ‘To Let’ sign.
I can only think of it as a tomb,
excavated, in the end, by
explorers in facemasks and protective spacesuits.
No papers, no bank account, no next of kin;
only a barricade against the landlord,
and the police at our doors, early, with questions.
What did we know? Not much: a Lebanese name,
a soft English voice; chats in the street
in your confiding phase; the dancing.
You sat behind me once at midnight Mass.
You were Orthodox, really; church
made you think of your mother, and cry.
From belly dancer to recluse, the years
and the stealthy ballooning of your outline,
kilo by kilo, abducted you.
Poor girl, I keep saying; poor girl –
no girl, but young enough to be my daughter.
I called at your building once, canvassing;
your face loomed in the hallway and, forgetting
whether or not we were social kissers,
I bounced my lips on it. It seemed we were not.
They’ve even replaced your window frames. I still
imagine a midden of flesh, and that smell
you read about in reports of earthquakes.
They say there was a heart beside your doorbell
upstairs. They say all sorts. They would –
who’s to argue? I don’t regret the kiss.
From: Glass Wings
The Belly Dancer
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