SHOCK

SHOCK

SHOCK

Furiously a crane
in the scrapyard out of whose grasp
a car it meant to pick up slipped,
lifts and lets fall, lifts and lets fall
the steel ton of its clenched pincers
onto the shuddering carcass
which spurts fragments of anguished glass
until it’s sufficiently crushed
to be hauled up and flung onto
the heap from which one imagines
it’ll move on to the shredding
or melting down that awaits it.

Also somewhere a crow
with less evident emotion
punches its beak through the dead
breast of a dove or albino
sparrow until it arrives at
a coil of gut it can extract,
then undo with a dexterous twist
an oily stretch just the right length
to be devoured, the only
suggestion of violation
the carrion jerked to one side
in involuntary dismay.

Splayed on the soiled pavement
the dove or sparrow; dismembered
in the tangled remnants of itself
the wreck, the crane slamming once more
for good measure into the all
but dematerialized hulk,
then luxuriously swaying
away, as, gorged, glutted, the crow
with savage care unfurls the full,
luminous glitter of its wings,
so we can preen, too, for so much
so well accomplished, so well seen.