Poem
Jacob Groot
WIMPLED ONE
Not you or mebut they who are now
we, and especially excluded
she, by not being allowed to bare herself, from
Giotto’s faces her eyes in which
split light grinds up the Asian iris below
their approaching sky of jumbos shot through
with rosy red until the arrows welt the white
back that wants to save her but lowers itself
into the sea, already nicely filling up
the caverns underneath that descent
of the breathing one on
their pavements to make the tongues
rattle against the dark without
equal when the day concludes the stations
with the deposition. A tomb I call it
nor a gift of nature leaving
Casablanca lying by the Amstel river
in the final phase. So sweetly
will has paired salvation with
the shroud on which the parade is borne, that
her marble blue goes arm
in arm with the resolute look on the way
to the expensive house. Aside I glance as much
as possible. To paint on the plaster
the same with these watercolours what
came to pass in Padua, namely that this stands
still and founds the incredible
hue that makes it fine. We gladly
henceforth together but the wimpled one
she especially, before it is
too late to see her already
© Translation: 2011, Willem Groenewegen
Publisher: First published on PIW, , 2011
Publisher: First published on PIW, , 2011
BEWIMPELDE
BEWIMPELDE
Niet jij of ikmaar jullie die nu wij
zijn, en vooral de verstoken
zij, door zich niet te mogen ontbloten, uit
Giotto’s gelaten haar ogen waarin
splijtlicht de iris aziatisch fijnmaalt onder
hun komende hemel der jumbo’s rozerood
doorschoten tot de pijlen striemen de blanke
rug die haar verlossen wil maar zich neerlaat
in de zee, al heerlijk raken vol
de spelonken onder dat dalen
van de ademhalende op
hun trottoirs om de tongen te laten
ratelen tegen het donker zonder
weerga wanneer de dag besluit de statie
met de afname. Een tombe noem ik het
noch een gave van de natuur door
Casablanca te laten liggen aan de Amstel
in de slotfase. Zo lief heeft
de wil de redding gepaard aan
het doek waarop de parade wordt gedragen, dat
haar marmerblauw gaat arm
in arm met de doelbewuste blik op weg naar
het dure huis. Terzijde kijk ik zoveel
mogelijk. Om op de kalk te schilderen
hetzelfde met deze waterverf wat
in Padua kon gebeuren, namelijk dat dit stil
staat en sticht de onbegrijpelijke
kleur die schoon maakt. Wij dolgraag
voortaan samen maar de bewimpelde
zij met name, voor het
te laat is haar al te zien
© 2009, Jacob Groot
From: Lofzang
Publisher: Uitgeverij De Harmonie, Amsterdam
From: Lofzang
Publisher: Uitgeverij De Harmonie, Amsterdam
Poems
Poems of Jacob Groot
Close
WIMPLED ONE
Not you or mebut they who are now
we, and especially excluded
she, by not being allowed to bare herself, from
Giotto’s faces her eyes in which
split light grinds up the Asian iris below
their approaching sky of jumbos shot through
with rosy red until the arrows welt the white
back that wants to save her but lowers itself
into the sea, already nicely filling up
the caverns underneath that descent
of the breathing one on
their pavements to make the tongues
rattle against the dark without
equal when the day concludes the stations
with the deposition. A tomb I call it
nor a gift of nature leaving
Casablanca lying by the Amstel river
in the final phase. So sweetly
will has paired salvation with
the shroud on which the parade is borne, that
her marble blue goes arm
in arm with the resolute look on the way
to the expensive house. Aside I glance as much
as possible. To paint on the plaster
the same with these watercolours what
came to pass in Padua, namely that this stands
still and founds the incredible
hue that makes it fine. We gladly
henceforth together but the wimpled one
she especially, before it is
too late to see her already
© 2011, Willem Groenewegen
From: Lofzang
Publisher: 2011, First published on PIW, Amsterdam
From: Lofzang
Publisher: 2011, First published on PIW, Amsterdam
WIMPLED ONE
Not you or mebut they who are now
we, and especially excluded
she, by not being allowed to bare herself, from
Giotto’s faces her eyes in which
split light grinds up the Asian iris below
their approaching sky of jumbos shot through
with rosy red until the arrows welt the white
back that wants to save her but lowers itself
into the sea, already nicely filling up
the caverns underneath that descent
of the breathing one on
their pavements to make the tongues
rattle against the dark without
equal when the day concludes the stations
with the deposition. A tomb I call it
nor a gift of nature leaving
Casablanca lying by the Amstel river
in the final phase. So sweetly
will has paired salvation with
the shroud on which the parade is borne, that
her marble blue goes arm
in arm with the resolute look on the way
to the expensive house. Aside I glance as much
as possible. To paint on the plaster
the same with these watercolours what
came to pass in Padua, namely that this stands
still and founds the incredible
hue that makes it fine. We gladly
henceforth together but the wimpled one
she especially, before it is
too late to see her already
© 2011, Willem Groenewegen
Publisher: 2011, First published on PIW,
Publisher: 2011, First published on PIW,
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