Poem
Hubert van Herreweghen
Longing for Winter
Too much thick leafiness
too few branches as yet
too little skinniness
too lushly fat
too woolly and
too wet.
Should the knife
not be stuck in
the sharp blade
until under the skin
the skeleton starts to shake
its scanty bones?
In winter their cold bums will ache.
Rather than that, fat Daniel
on snow made of rice paper,
a thin Chinese paintbrush,
ready for death, bowed but not breaking
– and yet as if it broke –
draws
two
black
twigs.
© Translation: 2010, Paul Vincent
Verlangen naar de winter
Verlangen naar de winter
Te veel gebladerte
en niet genoeg getak
te weinig magerte
te welig aangevet
te wollig en
te wak.
Moet daar het mes
niet ingezet
het scherp lemmet
tot het skelet
gaat rillen
in zijn schamelte?
’t Zal van de winter vriezen aan hun billen.
Dan liever, dik Daneelken
Op sneeuw van rijstpapier
een dun Chinees penseelken
dat, op de dood berekend,
gebogen, maar niet brekend,
– en toch alsof het brak –
takjes
zwarte
twee
tekent.
© 1984, Hubert van Herreweghen
From: Aardewerk. Gedichten VI
Publisher: Lannoo, Tielt/Weesp
From: Aardewerk. Gedichten VI
Publisher: Lannoo, Tielt/Weesp
Poems
Poems of Hubert van Herreweghen
Close
Longing for Winter
Too much thick leafiness
too few branches as yet
too little skinniness
too lushly fat
too woolly and
too wet.
Should the knife
not be stuck in
the sharp blade
until under the skin
the skeleton starts to shake
its scanty bones?
In winter their cold bums will ache.
Rather than that, fat Daniel
on snow made of rice paper,
a thin Chinese paintbrush,
ready for death, bowed but not breaking
– and yet as if it broke –
draws
two
black
twigs.
© 2010, Paul Vincent
From: Aardewerk. Gedichten VI
From: Aardewerk. Gedichten VI
Longing for Winter
Too much thick leafiness
too few branches as yet
too little skinniness
too lushly fat
too woolly and
too wet.
Should the knife
not be stuck in
the sharp blade
until under the skin
the skeleton starts to shake
its scanty bones?
In winter their cold bums will ache.
Rather than that, fat Daniel
on snow made of rice paper,
a thin Chinese paintbrush,
ready for death, bowed but not breaking
– and yet as if it broke –
draws
two
black
twigs.
© 2010, Paul Vincent
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