Larry Eigner

Charles Bernstein writes, “In Eigner’s poems, one ‘fragment’ is rivetted [sic] to the next, so that one becomes, in reading this work, likewise riveted by the uncanny democracy of details." Eigner’s poems are filled with the details of the everyday, but especially with those things belonging to the natural world – birds, trees, stars and light:

Eigner was heavily influenced by Charles Olson’s essay “Projective Verse,” a fact readily seen in the way many of Eigner’s poems make use of the page. Nate Pritts, writing for Octopus Magazine, states:


The speakers of Eigner’s poems often act as observers, noting the slight movements of a bird, or the wind: 

Eigner's poems build slowly upon themselves and the page, and small, subtle movements give way to the larger shifts of the entire planet as “the different hungers” are illuminated. At Jacket2, Tom Hibbard observes that Eigner’s poems “seem unpolluted by anxieties" and that "they are a moment not of forgetfulness but of becoming aware of thoughts one at a time . . . lightly allowing presences. They are a process of discovery.”

There is a masterful twist present in many of Eigner’s poems, where the ultimate presence allowed is something not yet seen or felt, but anticipated:

The last line of “how” is neither promising nor foreboding – it simply marks the factual change of seasons, the truth of the world. But it is not without feeling or beauty; rather it makes concrete the universal which we rarely fully consider – time progresses and life continues, with or without our chirping. As Pritts writes, “Larry Eigner’s poetry overall, but especially the concentrated daze of Air the Trees, enacts the workings of a consciousness on the page, a not-us that holds us close, obliterates & loves us, that whispers in our ears ‘you are what I am’ with desperate urgency.”

In addition to his many collections of poetry, Eigner also authored the short story collection Farther North, as well as Country / Harbor / Quiet / Act / Around: Selected Prose. Selected Bibliography

Poetry
From the Sustaining Air, Divers Press, Palma de Mallorca, 1953
Another Time in Fragments, Fulcrum Press, London, 1967
Air the Trees, Black Sparrow Press, Los Angeles, 1968
Things Stirring Together or Far Away, Black Sparrow Press, Los Angeles, 1974
The World and Its Streets, Places, Black Sparrow Press, Santa Barbara, 1977
Lined Up Bulk Senses, Burning Deck, Providence, 1979
now there’s a morning, hulk of the sky, Elizabeth Press, New Rochelle, 1981
Waters / Places / A Time, Black Sparrow Press, Santa Barbara, 1983
Areas Lights Heights: Writings 1954-1989, Roof Books, New York, 1989
Windows / Walls / Yard / Ways, Black Sparrow Press, Santa Rosa, 1994
readiness / enough / depends / on, Green Integer, Los Angeles, 2000
The Collected Poems of Larry Eigner, Stanford University Press, Stanford, 2010

Prose
Country / Harbor / Quiet / Act / Around: Selected Prose, THIS Press, 1978

Links

“Larry Eigner, Six Letters: An Introduction” by George Hart, Poetry magazine
“Larry Eigner: Six Letters” edited by Jennifer Bartlett and George Hart, Poetry magazine
“From the Poetry Archives: Larry Eigner” by Lindsay Garbutt, PoetryFoundation.org
“You Are What I Am: Objective Data & Subjective Sensation in Larry Eigner’s Air the Trees” by Nate Pritts, Octopus Magazine
“The Same Old Things: The poetry of Larry Eigner” by Tom Hibbard, Jacket2
“On Larry Eigner, ‘On My Eyes’” by Charles Bernstein, Jacket2
“Into the White: Larry Eigner’s Meta-physical Poetics” by Sarah Juliet Lauro and Lindsay Waggoner Riordan, Disability Studies Quarterly
On “The Collected Poems of Larry Eigner” by Stephen Ratcliffe, BOMB Magazine
PennSound page for Eigner, featuring audio of readings and interviews