Poem
Paul Snoek
Why do I melt silver in my poems?
Why do I melt silver in my poems?Why do I nobly conjure on the vertebrae of beauty?
See, this is the breaking key.
I carry truth in my blood like a complete rage,
pain I enter along the root of the wound,
goodness is purity upon my skin.
And lying in the wide bed of the judges,
I play with light and darkness like with young lions,
until the caressing fingers of splendour
open like butterflies within me.
Then my muscles are interwoven with silk
and my lips coated with closing silence.
I am raised on a sudden shield
and carried by silent slaves
to the luminous island in the dark.
There I quiver and predict rest
and I rest there porously and in luster.
© Translation: 2000, Kendall Dunkelberg
From: Hercules, Richelieu and Nostradamus
Publisher: Green Integer, Los Angeles, 2000
From: Hercules, Richelieu and Nostradamus
Publisher: Green Integer, Los Angeles, 2000
Waarom ik zilver smelt in mijn gedichten?
Waarom ik zilver smelt in mijn gedichten?
Waarom ik zilver smelt in mijn gedichten?Waarom ik edel tover aan de wervels van de schoonheid?
Zie, dit is de brekende sleutel.
Ik draag de waarheid in mijn bloed als een volmaakte woede,
de pijn betreed ik langs de wortel van de wonde,
de goedheid is de gaafheid op mijn huid.
En liggend in het wijde bed der rechters,
ik speel met licht en duister als met jonge leeuwen,
totdat de strelende vingers der weelde
als vlinders in mij opengaan.
Dan worden mijn spieren met zijde doorweven
en mijn lippen met sluitende stilte beslagen,
ik word op een plotseling schild geheven
en door zwijgende slaven gedragen
naar een lichtverspillend eiland in het duister.
Daar ik sidder en voorspel de rust
en ik rust er poreus en in luister.
© 2006, The heirs of Paul Snoek
From: Gedichten
Publisher: Lannoo/Atlas, Tielt/Amsterdam
From: Gedichten
Publisher: Lannoo/Atlas, Tielt/Amsterdam
Poems
Poems of Paul Snoek
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Why do I melt silver in my poems?
Why do I melt silver in my poems?Why do I nobly conjure on the vertebrae of beauty?
See, this is the breaking key.
I carry truth in my blood like a complete rage,
pain I enter along the root of the wound,
goodness is purity upon my skin.
And lying in the wide bed of the judges,
I play with light and darkness like with young lions,
until the caressing fingers of splendour
open like butterflies within me.
Then my muscles are interwoven with silk
and my lips coated with closing silence.
I am raised on a sudden shield
and carried by silent slaves
to the luminous island in the dark.
There I quiver and predict rest
and I rest there porously and in luster.
© 2000, Kendall Dunkelberg
From: Hercules, Richelieu and Nostradamus
Publisher: 2000, Green Integer, Los Angeles
From: Hercules, Richelieu and Nostradamus
Publisher: 2000, Green Integer, Los Angeles
Why do I melt silver in my poems?
Why do I melt silver in my poems?Why do I nobly conjure on the vertebrae of beauty?
See, this is the breaking key.
I carry truth in my blood like a complete rage,
pain I enter along the root of the wound,
goodness is purity upon my skin.
And lying in the wide bed of the judges,
I play with light and darkness like with young lions,
until the caressing fingers of splendour
open like butterflies within me.
Then my muscles are interwoven with silk
and my lips coated with closing silence.
I am raised on a sudden shield
and carried by silent slaves
to the luminous island in the dark.
There I quiver and predict rest
and I rest there porously and in luster.
© 2000, Kendall Dunkelberg
From: Hercules, Richelieu and Nostradamus
Publisher: 2000, Green Integer, Los Angeles
From: Hercules, Richelieu and Nostradamus
Publisher: 2000, Green Integer, Los Angeles
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