Poem
Stefano Dal Bianco
The fragment
One evening, I was late, with a towel, inadvertently, I knocked over a precious bottleof perfume, which fell. The pieces were picked up, almost all of them right away,
others in the course of time, the extent of the findings gradually diminishing. After a
month, in a crack of the floor a transparent fragment of glass showed up, but
nobody picked it up.
More time went by, every time I went into the bathroom
I would see it and promise myself: “Before going out
I’ll pick it up and throw it away,”
and while I went on with my business I kept an eye on it
so that it wouldn’t go away or disappear
under the fringes of the carpet or something.
But bathrooms free your thoughts and when the moment came
to leave that room for another, another
memory took its place,
and the fragment stayed and in the last few days
it became an obsession, an obsession
regularly forgotten at the last moment.
And today I set my mind on it,
I concentrated more than yesterday
and more than the day before yesterday and I made it:
it was a gradual victory
of a memory over other memories.
I reached out my hand and surprisingly
the fragment offered no resistance:
it was docile, it let itself be picked up
as if all this time
it had been waiting for me, for my intervention.
Now, I don’t know if out of pity, or a sense of duty
out of respect or love I’ve placed it
on the black desk, in front of me,
and while writing I contemplate it and pick up
its story of thing tied to mine,
and one apartment holds us both.
I am proud of having saved it
and it responds to light and sends out shy glows.
But I see the firmament in them and this night
I’ll take it outside and stare at it,
for the moon is out, for the sky,
in the clear cobalt height, to return.
© Translation: 2004, Gabriele Poole
Il vetrino
Il vetrino
Una sera, ero in ritardo, con un asciugamano, inavvertitamente, ho urtato una preziosabottiglietta di profumo, che è caduta. I pezzi sono stati raccolti, quasi tutti in un primo
momento, altri nel corso del tempo, a mano a mano diminuendo le proporzioni dei
reperti. Dopo un mese in un anfratto del pavimento è comparso un vetrino
trasparente, ma nessuno l’ha raccolto.
È passato altro tempo, ogni volta che entravo nel bagno
lo vedevo e mi ripromettevo: “Prima di uscire
lo raccolgo e lo butto”,
e nelle mie faccende lo tenevo d’occhio
perché non se ne andasse o scomparisse
tra le frange del tappeto o altro.
Ma il bagno libera i pensieri e al momento
di uscire dalla stanza un’altra
memoria ne prendeva il posto,
e il vetrino è rimasto e negli ultimi giorni
è diventato un’ossessione, un’ossessione
all’ultimo secondo regolarmente rimossa.
E oggi mi sono impuntato,
mi sono concentrato più di ieri
e più dell’altro ieri e ce l’ho fatta:
è stata una vittoria graduale
di una memoria su altre memorie.
Ho allungato la mano e con sorpresa
il vetro non ha opposto resistenza:
è stato docile, si è fatto raccogliere
come se per tutto questo tempo
avesse atteso me, il mio intervento.
Adesso non so se per pietà, per un senso del dovere
per rispetto o per amore l’ho posato
sul nero della scrivania, davanti a me,
e scrivendo lo contemplo e raccolgo
la sua storia di cosa legata alla mia,
e uno stesso appartamento ci contiene.
Sono orgoglioso di averlo salvato
e lui risponde alla luce e manda timidi bagliori.
Ma io ci vedo dentro il firmamento e questa notte
lo metto all’aperto e me lo guardo
perché c’è la luna, perché ritorni,
nella chiara altezza di cobalto, il cielo.
© 2001, Stefano Dal Bianco
From: Ritorno a Planaval
Publisher: Mondadori, Milano
From: Ritorno a Planaval
Publisher: Mondadori, Milano
Poems
Poems of Stefano Dal Bianco
Close
The fragment
One evening, I was late, with a towel, inadvertently, I knocked over a precious bottleof perfume, which fell. The pieces were picked up, almost all of them right away,
others in the course of time, the extent of the findings gradually diminishing. After a
month, in a crack of the floor a transparent fragment of glass showed up, but
nobody picked it up.
More time went by, every time I went into the bathroom
I would see it and promise myself: “Before going out
I’ll pick it up and throw it away,”
and while I went on with my business I kept an eye on it
so that it wouldn’t go away or disappear
under the fringes of the carpet or something.
But bathrooms free your thoughts and when the moment came
to leave that room for another, another
memory took its place,
and the fragment stayed and in the last few days
it became an obsession, an obsession
regularly forgotten at the last moment.
And today I set my mind on it,
I concentrated more than yesterday
and more than the day before yesterday and I made it:
it was a gradual victory
of a memory over other memories.
I reached out my hand and surprisingly
the fragment offered no resistance:
it was docile, it let itself be picked up
as if all this time
it had been waiting for me, for my intervention.
Now, I don’t know if out of pity, or a sense of duty
out of respect or love I’ve placed it
on the black desk, in front of me,
and while writing I contemplate it and pick up
its story of thing tied to mine,
and one apartment holds us both.
I am proud of having saved it
and it responds to light and sends out shy glows.
But I see the firmament in them and this night
I’ll take it outside and stare at it,
for the moon is out, for the sky,
in the clear cobalt height, to return.
© 2004, Gabriele Poole
From: Ritorno a Planaval
From: Ritorno a Planaval
The fragment
One evening, I was late, with a towel, inadvertently, I knocked over a precious bottleof perfume, which fell. The pieces were picked up, almost all of them right away,
others in the course of time, the extent of the findings gradually diminishing. After a
month, in a crack of the floor a transparent fragment of glass showed up, but
nobody picked it up.
More time went by, every time I went into the bathroom
I would see it and promise myself: “Before going out
I’ll pick it up and throw it away,”
and while I went on with my business I kept an eye on it
so that it wouldn’t go away or disappear
under the fringes of the carpet or something.
But bathrooms free your thoughts and when the moment came
to leave that room for another, another
memory took its place,
and the fragment stayed and in the last few days
it became an obsession, an obsession
regularly forgotten at the last moment.
And today I set my mind on it,
I concentrated more than yesterday
and more than the day before yesterday and I made it:
it was a gradual victory
of a memory over other memories.
I reached out my hand and surprisingly
the fragment offered no resistance:
it was docile, it let itself be picked up
as if all this time
it had been waiting for me, for my intervention.
Now, I don’t know if out of pity, or a sense of duty
out of respect or love I’ve placed it
on the black desk, in front of me,
and while writing I contemplate it and pick up
its story of thing tied to mine,
and one apartment holds us both.
I am proud of having saved it
and it responds to light and sends out shy glows.
But I see the firmament in them and this night
I’ll take it outside and stare at it,
for the moon is out, for the sky,
in the clear cobalt height, to return.
© 2004, Gabriele Poole
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