Poem
Fran Lock
Hawley
Hawley
Hawley
In the scathed a.m. you’re chemicallyconscious, talking a noxious thirst, as we
strive Camden like a hanging garden.
Sunday morning. I say c’mon pilgrim,
and the new-moneyed streets wind us
an eyeful: Porsches and Audis, Toyotas
and Mercs’, designer deathbeds all.
The gardens are silent, centre-parted,
and tidy as Mormons. The thing about
symmetry is that symmetry is a special
kind of emptiness. And you make
a noise in your throat like a Commodore
64 – at the back of your throat – and you
bring up something the colour of rock pools.
I do not speak, but I know it then, I’ve seen
your doom. Walking, shoulder to shoulder,
there’s a pink tinge to everything. The sky
smells of spent fireworks and artificial
sweetener, sunrise sucking a bloody
rusk. A woman on the corner is doing her
bleached nut for Christ, says God somethingy-
something, and tries to touch your shoulder.
Poor cow doesn’t know, how you don’t cotton
to a festal Jesus, his denim jeans and three-
chord reefer blues. You cannot love her soft
rock Jon Bon Jesus; her wildly rhinestone
Nazarene, in mirrored shades like Michael
Jackson. You don’t cotton, and you won’t
cotton, and the mood gets ugly. You’re
letting her have it: the camps, the rapes,
the endless famine, our exterminated pedigree.
Your tikka breath a scream in her face, till tears
are aphid clusters at the corners of her eyes; she
crosses herself, and it looks as if she’s drawing
a razor over her throat. I’m not surprised.
We wade a burst main, take a side street, turn,
And turn again, and you are fine: we all went up
to the Mero, kicking litter. Yesterday’s news
is a body in a bin-bag, financial pandemonium.
By a plate glass wall you light up a sigh. Arm
in arm though an empty arcade: what kind
of delirious Croesus would pay two-hundred
quid for a tie? Fuck’s sake! We find the tow
path, make our way to mildew, drilling, tinnies,
a discarded dentists’ chair. A girl with a sour
face hands out condoms like condolences-
we laugh, crackle the Black Cherry wrapper.
You buy vodka and Blue Nun. Hunger hits,
and it feels like a puncture in the lungs. I drink
coffee; we sit in the sun on the damp grass.
The flat tang of caffeine, the bass in my brain,
like egg whites whisked in a bowl. And you say
home again, the stabbings, the traffic, the whole
shebang. A fox flushed from a green heap bolts
her hardcore headlong under a bus. A sinner, you
reckon, wiping your mouth on the back of your
hand, another poor sinner, making for church.
© 2015, Fran Lock
Fran Lock
(United Kingdom of Great Britain and Northern Ireland, 1982)
Fran Lock’s poetry takes its cues from a broad swathe of sources, ranging from Irish and traveller cultures to Jacobean drama. Her strong political sensibility blends with folklore, Classical influences and a rich seam of English literature to create an exuberant and musical poetry. After making a name for herself in the London open mic and spoken word scenes, in 2014 she won the Ambit Poetry C...
Poems
Poems of Fran Lock
Close
Hawley
In the scathed a.m. you’re chemicallyconscious, talking a noxious thirst, as we
strive Camden like a hanging garden.
Sunday morning. I say c’mon pilgrim,
and the new-moneyed streets wind us
an eyeful: Porsches and Audis, Toyotas
and Mercs’, designer deathbeds all.
The gardens are silent, centre-parted,
and tidy as Mormons. The thing about
symmetry is that symmetry is a special
kind of emptiness. And you make
a noise in your throat like a Commodore
64 – at the back of your throat – and you
bring up something the colour of rock pools.
I do not speak, but I know it then, I’ve seen
your doom. Walking, shoulder to shoulder,
there’s a pink tinge to everything. The sky
smells of spent fireworks and artificial
sweetener, sunrise sucking a bloody
rusk. A woman on the corner is doing her
bleached nut for Christ, says God somethingy-
something, and tries to touch your shoulder.
Poor cow doesn’t know, how you don’t cotton
to a festal Jesus, his denim jeans and three-
chord reefer blues. You cannot love her soft
rock Jon Bon Jesus; her wildly rhinestone
Nazarene, in mirrored shades like Michael
Jackson. You don’t cotton, and you won’t
cotton, and the mood gets ugly. You’re
letting her have it: the camps, the rapes,
the endless famine, our exterminated pedigree.
Your tikka breath a scream in her face, till tears
are aphid clusters at the corners of her eyes; she
crosses herself, and it looks as if she’s drawing
a razor over her throat. I’m not surprised.
We wade a burst main, take a side street, turn,
And turn again, and you are fine: we all went up
to the Mero, kicking litter. Yesterday’s news
is a body in a bin-bag, financial pandemonium.
By a plate glass wall you light up a sigh. Arm
in arm though an empty arcade: what kind
of delirious Croesus would pay two-hundred
quid for a tie? Fuck’s sake! We find the tow
path, make our way to mildew, drilling, tinnies,
a discarded dentists’ chair. A girl with a sour
face hands out condoms like condolences-
we laugh, crackle the Black Cherry wrapper.
You buy vodka and Blue Nun. Hunger hits,
and it feels like a puncture in the lungs. I drink
coffee; we sit in the sun on the damp grass.
The flat tang of caffeine, the bass in my brain,
like egg whites whisked in a bowl. And you say
home again, the stabbings, the traffic, the whole
shebang. A fox flushed from a green heap bolts
her hardcore headlong under a bus. A sinner, you
reckon, wiping your mouth on the back of your
hand, another poor sinner, making for church.
Hawley
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