Poetry International Poetry International
Poem

Kiki Dimoula

Unexpectations

Lord what’s still not in store for us.

I’m sitting here and sitting.
It’s raining without raining
just as when a shadow
returns to us a body.

I’m sitting here and sitting.
Me here, my heart opposite
and still further away
my weary relationship with it.
So we might seem many
whenever emptiness counts us.

Empty room blowing.
I hold tight to the way
I have of being swept off.

I’ve no news of you.
Your photo stationary.
You stare as if coming
you smile as if not.
Dried flowers at one side
incessantly repeating for you
their unadulterated name semprevives
semprevives—eternal, eternal
in case you forget what you’re not.

I’m asked by time
how I want it to pass
exactly how I pronounce myself
as edging or ageing.
Foolishness.
No end is ever articulate.

I’ve no news of you.
Your photo stationary.
Just as it rains without raining.

Just as a shadow returns to me a body.
And just as we’ll meet one day
up there.
In some lush sparseness
with shady unexpectations
and evergreen rotations.
As interpreter of the intense
silence that we’ll feel
—developed form of the intense
intoxication caused by a meeting
down here—will come a void.

And we’ll be enraptured then
by a passionate unrecognition
—developed form of the embrace
employed by a meeting down here.
Yes we’ll meet. Breathing fine, concealed
form  attraction. In a downpour
of heavy  lack of gravity. Perhaps on one
of infinity’s trips to ad  infinitum;
at the ceremony for loss awards to the known
for its great contribution to the unknown;
guests at destination’s starlight,
at cessation’s galas on behalf of dissolving
causes  and  the skies’ farewell
importances once great.
Expect that this company of distances
will be somewhat downcast, cheerless
even if non-existence finds cheer from nothing.
Perhaps because the soul of the party will be absent.
The flesh.

I call to the ash
to disarm me.
I call upon the ash
by its code name: Everything.

You’ll meet regularly I imagine
you and the death of that dream.
The last-born dream.
Of all I had  the best-behaved.
Clear-headed, gentle, understanding.
Not of course so dreamy
but neither worthless or mean,
no toady to all and sundry.
A very thrifty dream,
in intensity and errors.
Of the dreams I raised
my most loving: so I’d not
grow old alone.

You’ll meet regularly I imagine
you and its death.
Give it my regards, tell it to come
too without fail when we meet
there, at the loss awards ceremony.

Love me as long as you don’t live.
Yes yes the impossible’s enough for me.
Once I was loved by that.
Love me as long as you don’t live.
For I’ve no news of you.
And heaven forbid that the absurd
should show no signs of life.

Unexpectations

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Unexpectations

Lord what’s still not in store for us.

I’m sitting here and sitting.
It’s raining without raining
just as when a shadow
returns to us a body.

I’m sitting here and sitting.
Me here, my heart opposite
and still further away
my weary relationship with it.
So we might seem many
whenever emptiness counts us.

Empty room blowing.
I hold tight to the way
I have of being swept off.

I’ve no news of you.
Your photo stationary.
You stare as if coming
you smile as if not.
Dried flowers at one side
incessantly repeating for you
their unadulterated name semprevives
semprevives—eternal, eternal
in case you forget what you’re not.

I’m asked by time
how I want it to pass
exactly how I pronounce myself
as edging or ageing.
Foolishness.
No end is ever articulate.

I’ve no news of you.
Your photo stationary.
Just as it rains without raining.

Just as a shadow returns to me a body.
And just as we’ll meet one day
up there.
In some lush sparseness
with shady unexpectations
and evergreen rotations.
As interpreter of the intense
silence that we’ll feel
—developed form of the intense
intoxication caused by a meeting
down here—will come a void.

And we’ll be enraptured then
by a passionate unrecognition
—developed form of the embrace
employed by a meeting down here.
Yes we’ll meet. Breathing fine, concealed
form  attraction. In a downpour
of heavy  lack of gravity. Perhaps on one
of infinity’s trips to ad  infinitum;
at the ceremony for loss awards to the known
for its great contribution to the unknown;
guests at destination’s starlight,
at cessation’s galas on behalf of dissolving
causes  and  the skies’ farewell
importances once great.
Expect that this company of distances
will be somewhat downcast, cheerless
even if non-existence finds cheer from nothing.
Perhaps because the soul of the party will be absent.
The flesh.

I call to the ash
to disarm me.
I call upon the ash
by its code name: Everything.

You’ll meet regularly I imagine
you and the death of that dream.
The last-born dream.
Of all I had  the best-behaved.
Clear-headed, gentle, understanding.
Not of course so dreamy
but neither worthless or mean,
no toady to all and sundry.
A very thrifty dream,
in intensity and errors.
Of the dreams I raised
my most loving: so I’d not
grow old alone.

You’ll meet regularly I imagine
you and its death.
Give it my regards, tell it to come
too without fail when we meet
there, at the loss awards ceremony.

Love me as long as you don’t live.
Yes yes the impossible’s enough for me.
Once I was loved by that.
Love me as long as you don’t live.
For I’ve no news of you.
And heaven forbid that the absurd
should show no signs of life.

Unexpectations

Lord what’s still not in store for us.

I’m sitting here and sitting.
It’s raining without raining
just as when a shadow
returns to us a body.

I’m sitting here and sitting.
Me here, my heart opposite
and still further away
my weary relationship with it.
So we might seem many
whenever emptiness counts us.

Empty room blowing.
I hold tight to the way
I have of being swept off.

I’ve no news of you.
Your photo stationary.
You stare as if coming
you smile as if not.
Dried flowers at one side
incessantly repeating for you
their unadulterated name semprevives
semprevives—eternal, eternal
in case you forget what you’re not.

I’m asked by time
how I want it to pass
exactly how I pronounce myself
as edging or ageing.
Foolishness.
No end is ever articulate.

I’ve no news of you.
Your photo stationary.
Just as it rains without raining.

Just as a shadow returns to me a body.
And just as we’ll meet one day
up there.
In some lush sparseness
with shady unexpectations
and evergreen rotations.
As interpreter of the intense
silence that we’ll feel
—developed form of the intense
intoxication caused by a meeting
down here—will come a void.

And we’ll be enraptured then
by a passionate unrecognition
—developed form of the embrace
employed by a meeting down here.
Yes we’ll meet. Breathing fine, concealed
form  attraction. In a downpour
of heavy  lack of gravity. Perhaps on one
of infinity’s trips to ad  infinitum;
at the ceremony for loss awards to the known
for its great contribution to the unknown;
guests at destination’s starlight,
at cessation’s galas on behalf of dissolving
causes  and  the skies’ farewell
importances once great.
Expect that this company of distances
will be somewhat downcast, cheerless
even if non-existence finds cheer from nothing.
Perhaps because the soul of the party will be absent.
The flesh.

I call to the ash
to disarm me.
I call upon the ash
by its code name: Everything.

You’ll meet regularly I imagine
you and the death of that dream.
The last-born dream.
Of all I had  the best-behaved.
Clear-headed, gentle, understanding.
Not of course so dreamy
but neither worthless or mean,
no toady to all and sundry.
A very thrifty dream,
in intensity and errors.
Of the dreams I raised
my most loving: so I’d not
grow old alone.

You’ll meet regularly I imagine
you and its death.
Give it my regards, tell it to come
too without fail when we meet
there, at the loss awards ceremony.

Love me as long as you don’t live.
Yes yes the impossible’s enough for me.
Once I was loved by that.
Love me as long as you don’t live.
For I’ve no news of you.
And heaven forbid that the absurd
should show no signs of life.
Sponsors
Gemeente Rotterdam
Nederlands Letterenfonds
Stichting Van Beuningen Peterich-fonds
Prins Bernhard cultuurfonds
Lira fonds
Versopolis
J.E. Jurriaanse
Gefinancierd door de Europese Unie
Elise Mathilde Fonds
Stichting Verzameling van Wijngaarden-Boot
Veerhuis
VDM
Partners
LantarenVenster – Verhalenhuis Belvédère