Poem
Haris Vlavianós
CONTEMPLATING THE OBJECT
only if there are objectscan there be a constant form of the world
(the most beautiful
is the object that does not exist)
the constant
the extant and the object are one
(mark the point
where the object stood
and no longer is
It will be
genuine mourning
for the beautiful absence)
the object is the mutable
the constellation is the immutable
(now you have empty space
more beautiful
than the object
more beautiful
than the forsaken place
a white paradise
of all possibilities)
the constellation of objects
generates the realm of things
(vertical lightning
furrows the barren horizon)
in the realm of things
the objects stand
facing each other
in a certain way
the way is the structure
of the realm of things
(the form is
the potentiality of the structure)
the structure of the event
consists of the structures
of the realms of things
(the entity of the realms
is the world)
the image is the event
(it is the uncreated world
that jostles at
the gates of your canvas)
abide by the intimations
of your inward eye
that which the image represents is its essence
its truth lies in the concurrence
of its essence with reality
(draw away from the contemplation
of the inward eye
the poem –
the object)
place in the empty space (seek the reasons
a square thought for which you name
add to the concept of imagination something beautiful
the concept of order and the peculiar grammar
of the word beautiful
will unconceal itself to you
this object surrounds you
inscribes you
contains you
describe it now)
CONTEMPLATING THE OBJECT
Poems
Poems of Haris Vlavianós
Close
CONTEMPLATING THE OBJECT
only if there are objectscan there be a constant form of the world
(the most beautiful
is the object that does not exist)
the constant
the extant and the object are one
(mark the point
where the object stood
and no longer is
It will be
genuine mourning
for the beautiful absence)
the object is the mutable
the constellation is the immutable
(now you have empty space
more beautiful
than the object
more beautiful
than the forsaken place
a white paradise
of all possibilities)
the constellation of objects
generates the realm of things
(vertical lightning
furrows the barren horizon)
in the realm of things
the objects stand
facing each other
in a certain way
the way is the structure
of the realm of things
(the form is
the potentiality of the structure)
the structure of the event
consists of the structures
of the realms of things
(the entity of the realms
is the world)
the image is the event
(it is the uncreated world
that jostles at
the gates of your canvas)
abide by the intimations
of your inward eye
that which the image represents is its essence
its truth lies in the concurrence
of its essence with reality
(draw away from the contemplation
of the inward eye
the poem –
the object)
place in the empty space (seek the reasons
a square thought for which you name
add to the concept of imagination something beautiful
the concept of order and the peculiar grammar
of the word beautiful
will unconceal itself to you
this object surrounds you
inscribes you
contains you
describe it now)
CONTEMPLATING THE OBJECT
only if there are objectscan there be a constant form of the world
(the most beautiful
is the object that does not exist)
the constant
the extant and the object are one
(mark the point
where the object stood
and no longer is
It will be
genuine mourning
for the beautiful absence)
the object is the mutable
the constellation is the immutable
(now you have empty space
more beautiful
than the object
more beautiful
than the forsaken place
a white paradise
of all possibilities)
the constellation of objects
generates the realm of things
(vertical lightning
furrows the barren horizon)
in the realm of things
the objects stand
facing each other
in a certain way
the way is the structure
of the realm of things
(the form is
the potentiality of the structure)
the structure of the event
consists of the structures
of the realms of things
(the entity of the realms
is the world)
the image is the event
(it is the uncreated world
that jostles at
the gates of your canvas)
abide by the intimations
of your inward eye
that which the image represents is its essence
its truth lies in the concurrence
of its essence with reality
(draw away from the contemplation
of the inward eye
the poem –
the object)
place in the empty space (seek the reasons
a square thought for which you name
add to the concept of imagination something beautiful
the concept of order and the peculiar grammar
of the word beautiful
will unconceal itself to you
this object surrounds you
inscribes you
contains you
describe it now)
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