Poem
Karen McCarthy Woolf
THE WISH
THE WISH
THE WISH
spreads its branches so twigs scratchthird floor windows, pushes through cracked
glass into front rooms cluttered with books.
Every time the wish is amended, cells disperse,
subdivide, multiply. Tomorrow the wish is a horse,
a knight with its two forward one across,
his mane a scythe razing cornfields to the ground.
The wish isn’t supposed to do that. The wish is out
of control. The wish can be viewed from many angles;
today it’s a crow looking for soft spots to stab.
Or a tricolore to wave at the toros who charge
with muscled heads down. The wish lives
in a little silver box with WISH written on it.
The wish is big as America. The wish is totally irrelevant.
The wish is yappy as a tethered dog and industrial
in its persistence: a rhesus monkey that bares its teeth.
On anniversaries the wish smiles like a chaise longue;
its death cry sonorous as a foghorn.
The wish is as monumentally unfinished
as Gaudi’s dripping catedral
and needs you, always, to be absolutely specific.
The wish purrs behind an electrified fence where
it keeps company with deer. The wish is a murmur
barely overheard. The wish. Always the wish.
© 2013, Karen McCarthy Woolf
Runner-up in the 2011 Cardiff International Poetry Competition, which is administered by Literature Wales with the support of Cardiff Council (www.literaturewales.org/cipc).
Karen McCarthy Woolf
(United Kingdom of Great Britain and Northern Ireland, )
The title poem of Karen McCarthy Woolf’s pamphlet – a Poetry Book Society Recommendation and New Statesman Book of the Year in 2006 – came about as a piece of serendipity: “I was sitting at my desk wondering what to write,” says the poet, “so I cut a Sharon fruit in half. The result was The Worshipful Company of Pomegranate Slicers.”
This attention and receptivity to the world around her – its...
This attention and receptivity to the world around her – its...
Poems
Poems of Karen McCarthy Woolf
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THE WISH
spreads its branches so twigs scratchthird floor windows, pushes through cracked
glass into front rooms cluttered with books.
Every time the wish is amended, cells disperse,
subdivide, multiply. Tomorrow the wish is a horse,
a knight with its two forward one across,
his mane a scythe razing cornfields to the ground.
The wish isn’t supposed to do that. The wish is out
of control. The wish can be viewed from many angles;
today it’s a crow looking for soft spots to stab.
Or a tricolore to wave at the toros who charge
with muscled heads down. The wish lives
in a little silver box with WISH written on it.
The wish is big as America. The wish is totally irrelevant.
The wish is yappy as a tethered dog and industrial
in its persistence: a rhesus monkey that bares its teeth.
On anniversaries the wish smiles like a chaise longue;
its death cry sonorous as a foghorn.
The wish is as monumentally unfinished
as Gaudi’s dripping catedral
and needs you, always, to be absolutely specific.
The wish purrs behind an electrified fence where
it keeps company with deer. The wish is a murmur
barely overheard. The wish. Always the wish.
THE WISH
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