Poem
Tian Yuan
The Piano
For methe piano is like the skeleton of a monster
occupying nobly a corner of the city
In fact it is from a common family
and had nothing to do with the arched roof of the city,
glass windows, tuxedos and gown.
Its frames and nerves, breaths and gazes
were closely attached to the countryside
The sound of the piano comes from a giant tree in the countryside,
and very similar to the singing of an insect
in the grass field
Amsterdam, Moscow, and Paris are not
its only homelands.
Barren land and the sky filled with dark clouds
equally bear its dreams.
When the wind dies crashing into the sails of a ship,
when the anchor rusts in the water,
the sound played by the fingers
is called music
……
The piano is unwillingly adjusting the senses of urbanites
and trying to escape from the toying of its owner.
In the circumstances that manipulated by vanity,
its pure, moistened, and highly noble voice gradually hoarsen.
At last, like an urbanite carried into the crematory, the piano
is burnt into ashes
The strings are hair
The keys are teeth
The resonance box is a mouth
The piano always reminds me of
the wide sky, after the trees are lumbered
in places far from the city;
or the deep holes left by uprooted trees
For me
the piano is merely an ornament imprisoned in the city
It would like to transform into a monster
spread its wings and fly away
© Translation: 2011, Keiji Minato
THE PIANO
© 2004, Tian Yuan
From: Sôshite Kishi ga Tanjôshita (And So the Shore Was Born)
Publisher: Shichosha, Tokyo
From: Sôshite Kishi ga Tanjôshita (And So the Shore Was Born)
Publisher: Shichosha, Tokyo
Poems
Poems of Tian Yuan
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The Piano
For methe piano is like the skeleton of a monster
occupying nobly a corner of the city
In fact it is from a common family
and had nothing to do with the arched roof of the city,
glass windows, tuxedos and gown.
Its frames and nerves, breaths and gazes
were closely attached to the countryside
The sound of the piano comes from a giant tree in the countryside,
and very similar to the singing of an insect
in the grass field
Amsterdam, Moscow, and Paris are not
its only homelands.
Barren land and the sky filled with dark clouds
equally bear its dreams.
When the wind dies crashing into the sails of a ship,
when the anchor rusts in the water,
the sound played by the fingers
is called music
……
The piano is unwillingly adjusting the senses of urbanites
and trying to escape from the toying of its owner.
In the circumstances that manipulated by vanity,
its pure, moistened, and highly noble voice gradually hoarsen.
At last, like an urbanite carried into the crematory, the piano
is burnt into ashes
The strings are hair
The keys are teeth
The resonance box is a mouth
The piano always reminds me of
the wide sky, after the trees are lumbered
in places far from the city;
or the deep holes left by uprooted trees
For me
the piano is merely an ornament imprisoned in the city
It would like to transform into a monster
spread its wings and fly away
© 2011, Keiji Minato
From: Sôshite Kishi ga Tanjôshita (And So the Shore Was Born)
From: Sôshite Kishi ga Tanjôshita (And So the Shore Was Born)
The Piano
For methe piano is like the skeleton of a monster
occupying nobly a corner of the city
In fact it is from a common family
and had nothing to do with the arched roof of the city,
glass windows, tuxedos and gown.
Its frames and nerves, breaths and gazes
were closely attached to the countryside
The sound of the piano comes from a giant tree in the countryside,
and very similar to the singing of an insect
in the grass field
Amsterdam, Moscow, and Paris are not
its only homelands.
Barren land and the sky filled with dark clouds
equally bear its dreams.
When the wind dies crashing into the sails of a ship,
when the anchor rusts in the water,
the sound played by the fingers
is called music
……
The piano is unwillingly adjusting the senses of urbanites
and trying to escape from the toying of its owner.
In the circumstances that manipulated by vanity,
its pure, moistened, and highly noble voice gradually hoarsen.
At last, like an urbanite carried into the crematory, the piano
is burnt into ashes
The strings are hair
The keys are teeth
The resonance box is a mouth
The piano always reminds me of
the wide sky, after the trees are lumbered
in places far from the city;
or the deep holes left by uprooted trees
For me
the piano is merely an ornament imprisoned in the city
It would like to transform into a monster
spread its wings and fly away
© 2011, Keiji Minato
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