Poem
Ian Duhig
Goths
Goths
Goths
I love them. They bring a little antilife and uncolourto the Corn Exchange on city centre shopping days,
as if they had all just crawled out of that Ringu well,
so many Sadakos in monochrome horror, dripping
silver jewellery down flea-market undead fashions.
They are the black that is always the new black;
their perfume lingers, freshly-turned-grave sweet.
Black sheep, they pilgrimage twice a year to Whitby
through our landscape of dissolved monastery and pit,
which they will toast in cider’n’blackcurrant, vegan blood.
They danse macabre at gigs like the Dracula Spectacula.
Next day, lovebitten and wincing in the light, they take
photographs of each other, hoping they won\'t develop.
© 2009, Ian Duhig
From: Jericho Shanty
Publisher: Picador, London
From: Jericho Shanty
Publisher: Picador, London
Ian Duhig
(United Kingdom of Great Britain and Northern Ireland, 1954)
Duhig is known as a modern balladeer, using folklore and medieval stories to satirise the contemporary scene. His poetry spans interpretations of medieval myths to verses on the humble string vest. Duhig has a keen metrical ear, often harnessing Irish songs, hymns, ballads and old French metre to a modern subject. His poetry is frequently funny, and Duhig is not averse to slipping in an anachro...
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Goths
I love them. They bring a little antilife and uncolourto the Corn Exchange on city centre shopping days,
as if they had all just crawled out of that Ringu well,
so many Sadakos in monochrome horror, dripping
silver jewellery down flea-market undead fashions.
They are the black that is always the new black;
their perfume lingers, freshly-turned-grave sweet.
Black sheep, they pilgrimage twice a year to Whitby
through our landscape of dissolved monastery and pit,
which they will toast in cider’n’blackcurrant, vegan blood.
They danse macabre at gigs like the Dracula Spectacula.
Next day, lovebitten and wincing in the light, they take
photographs of each other, hoping they won\'t develop.
From: Jericho Shanty
Goths
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