Poem
David Harsent
Broken Glass
Broken Glass
Broken Glass
On one side of the mirror, me, myself, in doubt.On the other, the man I mostly want to be.
See us clear as we turn and turn about.
***
I hold out my hand to the rain,
as if that ‘simple act’
were something I might do again and again.
***
These are the saddest snaps I’ve ever seen.
My father in khaki. My father in khaki. My father
in khaki. Yes. My mother in bombasine.
***
Pi-dogs. A lemon sky. A Judas kiss.
A moment in some shebeen. The view you get
from behind the gun. I dreamed all this.
***
A room hanging in silence. A sunstruck window.
Doors to left and right.
A sense of decorum tells you which way to go.
***
She kicked off her shoes. She unzipped and dropped her dress,
then stalled on a vacant look.
Next night the same, and the night after that, more or less.
***
Why not grub up a smidgen of turf from his grave?
Cultivate it. Trim it as you might
toenails or hair. Soon you’ll know how to grieve.
***
A teardrop mask. White gloves. Crowds in the street.
She is running a fever; she’s ill.
All the more reason, she thinks, to be indiscreet.
***
The ocean at night, where something tremendous leaps.
Did I say ‘sleeps’?
Who knows what the darkness discovers?
***
A word unsaid, a withdrawal, a second guess
right at the wrong time…
The dry clack-clack of the abacus.
***
After all that, milady’s final choice:
‘Not bloodstone – moonstone.’ And then:
‘They say my true instrument is voice.’
***
Waking, again, in tears for the moment lost
to the moment of waking;
all day long you walk with that same ghost.
***
The footfall of the uninvited guest.
The EntriCam.
Teeth and hair and pixillated lust.
***
The colour green, as if no other colour would do.
She was going through snow for sure,
so a long time back. So it might have been brown or blue.
***
A stipple of spit on the tiling. A snatch
of song. Machinery cranking up.
Rain-clouds as far as . . . Catnap. Mix and match.
***
Cock-crow. Clean linen. A sea-mist.
Tulips one side of a limestone wall.
Given time, I could complete this list.
***
A man steps off a tall building. Your task?
To remember the slinky undertone
of shoe-leather on brick; not much to ask.
***
This word from the edge of sleep: abandonment.
Oh, very clear since you ask.
And clearer still what it meant.
***
She could touch you now, if she wanted. She could find
the little rub of blue where she touched you last,
not a bruise, exactly; not quite. She could do it blind.
© 2007, David Harsent
From: Poetry Review, 96:4, 97:1 (published over two volumes)
Publisher: Poetry Review, London
From: Poetry Review, 96:4, 97:1 (published over two volumes)
Publisher: Poetry Review, London
David Harsent
(United Kingdom of Great Britain and Northern Ireland, 1942)
David Harsent won the 2005 Forward Prize for Legion, which was also shortlisted for the Whitbread Prize and the TS Eliot Award; he has also been the recipient of the Geoffrey Faber Memorial Award, an Eric Gregory Award, two Arts Council bursaries and a Society of Authors Fellowship.
David Harsent’s work is both varied, and like that of all important writers, instantly recognisable. He is also co...
David Harsent’s work is both varied, and like that of all important writers, instantly recognisable. He is also co...
Poems
Poems of David Harsent
Close
Broken Glass
On one side of the mirror, me, myself, in doubt.On the other, the man I mostly want to be.
See us clear as we turn and turn about.
***
I hold out my hand to the rain,
as if that ‘simple act’
were something I might do again and again.
***
These are the saddest snaps I’ve ever seen.
My father in khaki. My father in khaki. My father
in khaki. Yes. My mother in bombasine.
***
Pi-dogs. A lemon sky. A Judas kiss.
A moment in some shebeen. The view you get
from behind the gun. I dreamed all this.
***
A room hanging in silence. A sunstruck window.
Doors to left and right.
A sense of decorum tells you which way to go.
***
She kicked off her shoes. She unzipped and dropped her dress,
then stalled on a vacant look.
Next night the same, and the night after that, more or less.
***
Why not grub up a smidgen of turf from his grave?
Cultivate it. Trim it as you might
toenails or hair. Soon you’ll know how to grieve.
***
A teardrop mask. White gloves. Crowds in the street.
She is running a fever; she’s ill.
All the more reason, she thinks, to be indiscreet.
***
The ocean at night, where something tremendous leaps.
Did I say ‘sleeps’?
Who knows what the darkness discovers?
***
A word unsaid, a withdrawal, a second guess
right at the wrong time…
The dry clack-clack of the abacus.
***
After all that, milady’s final choice:
‘Not bloodstone – moonstone.’ And then:
‘They say my true instrument is voice.’
***
Waking, again, in tears for the moment lost
to the moment of waking;
all day long you walk with that same ghost.
***
The footfall of the uninvited guest.
The EntriCam.
Teeth and hair and pixillated lust.
***
The colour green, as if no other colour would do.
She was going through snow for sure,
so a long time back. So it might have been brown or blue.
***
A stipple of spit on the tiling. A snatch
of song. Machinery cranking up.
Rain-clouds as far as . . . Catnap. Mix and match.
***
Cock-crow. Clean linen. A sea-mist.
Tulips one side of a limestone wall.
Given time, I could complete this list.
***
A man steps off a tall building. Your task?
To remember the slinky undertone
of shoe-leather on brick; not much to ask.
***
This word from the edge of sleep: abandonment.
Oh, very clear since you ask.
And clearer still what it meant.
***
She could touch you now, if she wanted. She could find
the little rub of blue where she touched you last,
not a bruise, exactly; not quite. She could do it blind.
From: Poetry Review, 96:4, 97:1 (published over two volumes)
Broken Glass
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