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Gedicht

Randall Mann

Halston

Halston

Halston

He kept his middle name, the pick of the lot,
he thought, and mispronounced himself: Hall-stun.

At Bergdorf’s he acquired an accent and referred
to himself  in the third person, every bird he flayed

wrapped in Ultrasuede. He lit a True with a True,
smeared his hirsute muse with sequins. There were air-

kisses, Capote’s new-cut face at Studio 54, that Baccarat
flute of ejaculate. Never too late, he ordered in

meat and potatoes, and a trick.
He called it “dial-a-steak, dial-a-dick.” He appeared

on The Love Boat, Halstonettes in tow,
maybe the high, maybe the low, watermark.

When his pupils betrayed him at work, on came the shades.
And a well-cut blazer, paranoia. He had signed away

the rights to his name, for options. When he tried
to reclaim them from the conglomerate,

he excused himself to the toilet, just a sec —
white dust on a black turtleneck.

His block started to look a lot like sickness.
Even his beloved orchids, the sickness.

Just like that, the eighties were gone.
New York, New York, the eighties were no one.
Randall Mann

Randall Mann

(Verenigde Staten, 1972)

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Halston

He kept his middle name, the pick of the lot,
he thought, and mispronounced himself: Hall-stun.

At Bergdorf’s he acquired an accent and referred
to himself  in the third person, every bird he flayed

wrapped in Ultrasuede. He lit a True with a True,
smeared his hirsute muse with sequins. There were air-

kisses, Capote’s new-cut face at Studio 54, that Baccarat
flute of ejaculate. Never too late, he ordered in

meat and potatoes, and a trick.
He called it “dial-a-steak, dial-a-dick.” He appeared

on The Love Boat, Halstonettes in tow,
maybe the high, maybe the low, watermark.

When his pupils betrayed him at work, on came the shades.
And a well-cut blazer, paranoia. He had signed away

the rights to his name, for options. When he tried
to reclaim them from the conglomerate,

he excused himself to the toilet, just a sec —
white dust on a black turtleneck.

His block started to look a lot like sickness.
Even his beloved orchids, the sickness.

Just like that, the eighties were gone.
New York, New York, the eighties were no one.

Halston

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Gemeente Rotterdam
Nederlands Letterenfonds
Stichting Van Beuningen Peterich-fonds
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