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Harry Clifton

The Early Houses

The Early Houses

The Early Houses

They’re all strung out, our alcoholic brethren, 
On an infinite chain of early-morning drinks 
In joints like this one. Little grey people 
Unlike you, though – people without a future,

Dapper folk, with nothing to say for themselves, 
The daily chemical hit, not ecstasy, 
What they are after. Not exactly one of them 
Myself, but the degree of separation

Less by the year, I can barely stay awake
As Smithfield market dawns, on a last blind date 
Between night and morning, early and late – 
The forklift whiz and rumble on the ramps, 

The Chinese hauliers, their tailboards down
For the weight of the world. Little Britain Street, 
North King Street – haunts of the underdog 
Who lives off scraps, returns to his age-old vomit . . .

One last glance, before we break away
Into past and future . . . Drizzle, dark before dawn, 
The lights kept low, in deference to the wishes 
Of the damned, in this strobe-lit gin-palace 

Afternoon whites out, when the children come 
To fling themselves at ecstasy, as I did myself,
And the binges start. For your company, much thanks, 
In the underworld. Slán, and don’t look back.
Harry Clifton

Harry Clifton

(Ierland, 1952)

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The Early Houses

They’re all strung out, our alcoholic brethren, 
On an infinite chain of early-morning drinks 
In joints like this one. Little grey people 
Unlike you, though – people without a future,

Dapper folk, with nothing to say for themselves, 
The daily chemical hit, not ecstasy, 
What they are after. Not exactly one of them 
Myself, but the degree of separation

Less by the year, I can barely stay awake
As Smithfield market dawns, on a last blind date 
Between night and morning, early and late – 
The forklift whiz and rumble on the ramps, 

The Chinese hauliers, their tailboards down
For the weight of the world. Little Britain Street, 
North King Street – haunts of the underdog 
Who lives off scraps, returns to his age-old vomit . . .

One last glance, before we break away
Into past and future . . . Drizzle, dark before dawn, 
The lights kept low, in deference to the wishes 
Of the damned, in this strobe-lit gin-palace 

Afternoon whites out, when the children come 
To fling themselves at ecstasy, as I did myself,
And the binges start. For your company, much thanks, 
In the underworld. Slán, and don’t look back.

The Early Houses

Sponsors
Gemeente Rotterdam
Nederlands Letterenfonds
Stichting Van Beuningen Peterich-fonds
Prins Bernhard cultuurfonds
Lira fonds
Versopolis
J.E. Jurriaanse
Gefinancierd door de Europese Unie
Elise Mathilde Fonds
Stichting Verzameling van Wijngaarden-Boot
Veerhuis
VDM
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