Poetry International Poetry International
Poem

Sibila Petlevski

A Dog Knows Better




In the beginning it is unclear to us that it is enough
what remains when petals fall off. The assigning of beauty
to the surplus becomes a habit that we don’t know how
to get rid of later. Convinced that the falling off has to be
caused by something, we say it's the wind’s fault. It might
as well be the fault of still fresh asphalt, if a dog would leave
a print of its paw in it, and it would be the fault of the dog
who managed to leave a trace of a casual walk, on condition

that there is contingency from which it is possible to separate
eternity. My hands are full of flowers and roots, said the florist
who looked like a retarded child when he said, just as
an Indian shaman would say, my hands are full of clothes that
the earth wears. We could buy and leave. We could buy and plant
the roses, stick one after another into the wet, black bitumen
to be guilty because the roots will never catch up. Even the dog
knows better than us how to mark the borders of its world.

Pas zna bolje

Pas zna bolje

    


U početku nam nije jasno da je dovoljno ono što
preostane kad otpadnu latice, a poslije pripisivanje
ljepote višku postaje navika koje se ne znamo riješiti.  
Uvjereni da otpadanje mora biti nečim izazvano,
kažemo vjetar je kriv. Kriv bi bio i neosušeni asfalt
ako bi u njemu pas ostavio otisak šape, i kriv bi bio
pas koji je uspio ostaviti trajni trag slučajne šetnje,  
pod uvjetom da postoji slučajnost od koje je moguće

odvojiti vječnost. Ruke su mi pune cvijeća i korijenja,
rekao je prodavač ruža koji je izgledao kao maloumni
dječak kad je rekao, baš kao što bi indijanski šaman
rekao, ruke su mi pune odjeće u koju se zemlja oblači.
Mogli smo kupiti i otići. Mogli smo kupiti i zasaditi
ruže, zataknuti jednu po jednu u mokri, crni bitumen
da budemo krivi što se nikada neće primiti korijenje.  
I pas zna bolje od nas obilježiti granice svojega svijeta.
Close

A Dog Knows Better




In the beginning it is unclear to us that it is enough
what remains when petals fall off. The assigning of beauty
to the surplus becomes a habit that we don’t know how
to get rid of later. Convinced that the falling off has to be
caused by something, we say it's the wind’s fault. It might
as well be the fault of still fresh asphalt, if a dog would leave
a print of its paw in it, and it would be the fault of the dog
who managed to leave a trace of a casual walk, on condition

that there is contingency from which it is possible to separate
eternity. My hands are full of flowers and roots, said the florist
who looked like a retarded child when he said, just as
an Indian shaman would say, my hands are full of clothes that
the earth wears. We could buy and leave. We could buy and plant
the roses, stick one after another into the wet, black bitumen
to be guilty because the roots will never catch up. Even the dog
knows better than us how to mark the borders of its world.

A Dog Knows Better




In the beginning it is unclear to us that it is enough
what remains when petals fall off. The assigning of beauty
to the surplus becomes a habit that we don’t know how
to get rid of later. Convinced that the falling off has to be
caused by something, we say it's the wind’s fault. It might
as well be the fault of still fresh asphalt, if a dog would leave
a print of its paw in it, and it would be the fault of the dog
who managed to leave a trace of a casual walk, on condition

that there is contingency from which it is possible to separate
eternity. My hands are full of flowers and roots, said the florist
who looked like a retarded child when he said, just as
an Indian shaman would say, my hands are full of clothes that
the earth wears. We could buy and leave. We could buy and plant
the roses, stick one after another into the wet, black bitumen
to be guilty because the roots will never catch up. Even the dog
knows better than us how to mark the borders of its world.
Sponsors
Gemeente Rotterdam
Nederlands Letterenfonds
Stichting Van Beuningen Peterich-fonds
Prins Bernhard cultuurfonds
Lira fonds
Versopolis
J.E. Jurriaanse
Gefinancierd door de Europese Unie
Elise Mathilde Fonds
Stichting Verzameling van Wijngaarden-Boot
Veerhuis
VDM
Partners
LantarenVenster – Verhalenhuis Belvédère