Tracey Herd

Herd is part of the remarkable explosion of literary talent generated by Dundee, the third city in Scotland. Situated on the East Coast on the banks of the Tay, Dundee seemed in the early eighties to be in a state of terminal industrial decline. Paradoxically this coincided with the emergence of a whole generation of writers: novelists AL Kennedy and James Meek, poets Don Paterson and John Glenday, and unique figures like Bill Duncan and Matthew Fitt, whose literary work sometimes seem to demand new categories. This upsurge was inspired in part by the succession of writing fellows at Dundee University, and Douglas Dunn, Kathleen Jamie, Don Paterson and John Burnside all left their mark on emerging writers.

Tracey Herd’s work is filled with powerful tensions between female vulnerability and black humour. Her rewritings of conventional portrayals of femininity in romantic, pulp and adolescent fiction subject these familiar worlds to violent distortions, but her work is also capable of a great tenderness. The image of the horse recurs in her writing as a complex symbol of redemption, and lost but sometimes recoverable innocence. Bibliography
No Hiding Place Bloodaxe, Tarset 1996
Dead Redhead Bloodaxe, Tarset 2001


Links
Bloodaxe
Tracey Herd at Bloodaxe
Language: English

Scottish Arts Council
Tracey Herd: Scottish Arts Council poem of the Month
Language: English