Poetry International Poetry International
Gedicht

Linda Gregerson

SPRING SNOW

SPRING SNOW

SPRING SNOW

A kind of counter-
blossoming, diversionary,

doomed, and like
the needle with its drop

of blood a little
too transparently in

love with doom, takes
issue with the season: Not

(the serviceberry bright
with explanation) not

(the redbud unspooling
its silks) I know I’ve read

the book but not (the lilac,
the larch) quite yet, I still

have one more card to
play. Behold

a six-hour wonder: six
new inches bedecking the

railing, the bench, the top
of the circular table like

a risen cake. The saplings
made (who little thought

what beauty weighs) to bow
before their elders.

The moment bears more
than the usual signs of its own

demise, but isn’t that
the bravery? Built

on nothing but the self-
same knots of air

and ice. Already
the lip of it riddled

with flaws, a sort
of vascular lesion that

betokens—what? betokens
the gathering return

to elementals. (She
was frightened

for a minute, who had
planned to be so calm.)

A dripline scoring
the edge of the walk.

The cotton batting blown
against the screen begun

to pill and molt. (Who
clothed them out of

mercy in the skins
of beasts.) And even

as the last of the
lightness continues

to fall, the seepage
underneath has gained

momentum. (So that
there must have been a

death before
the death we call the

first or what became
of them, the ones

whose skins were taken.)
Now the more-

of-casting-backward-than-of-
forward part, which must

have happened while I wasn’t
looking or was looking

at the skinning knives. I think
I’ll call this mercy too.
Linda Gregerson

Linda Gregerson

(Verenigde Staten, 1950)

Landen

Ontdek andere dichters en gedichten uit Verenigde Staten

Gedichten Dichters

Talen

Ontdek andere dichters en gedichten in het Engels

Gedichten Dichters
Close

SPRING SNOW

A kind of counter-
blossoming, diversionary,

doomed, and like
the needle with its drop

of blood a little
too transparently in

love with doom, takes
issue with the season: Not

(the serviceberry bright
with explanation) not

(the redbud unspooling
its silks) I know I’ve read

the book but not (the lilac,
the larch) quite yet, I still

have one more card to
play. Behold

a six-hour wonder: six
new inches bedecking the

railing, the bench, the top
of the circular table like

a risen cake. The saplings
made (who little thought

what beauty weighs) to bow
before their elders.

The moment bears more
than the usual signs of its own

demise, but isn’t that
the bravery? Built

on nothing but the self-
same knots of air

and ice. Already
the lip of it riddled

with flaws, a sort
of vascular lesion that

betokens—what? betokens
the gathering return

to elementals. (She
was frightened

for a minute, who had
planned to be so calm.)

A dripline scoring
the edge of the walk.

The cotton batting blown
against the screen begun

to pill and molt. (Who
clothed them out of

mercy in the skins
of beasts.) And even

as the last of the
lightness continues

to fall, the seepage
underneath has gained

momentum. (So that
there must have been a

death before
the death we call the

first or what became
of them, the ones

whose skins were taken.)
Now the more-

of-casting-backward-than-of-
forward part, which must

have happened while I wasn’t
looking or was looking

at the skinning knives. I think
I’ll call this mercy too.

SPRING SNOW

Sponsors
Gemeente Rotterdam
Nederlands Letterenfonds
Stichting Van Beuningen Peterich-fonds
Prins Bernhard cultuurfonds
Lira fonds
Versopolis
J.E. Jurriaanse
Gefinancierd door de Europese Unie
Elise Mathilde Fonds
Stichting Verzameling van Wijngaarden-Boot
Veerhuis
VDM
Partners
LantarenVenster – Verhalenhuis Belvédère