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Gedicht

Yash Sharma

An Evening in Sanasar

A melancholy evening sinks
into the bowl of Sanasar . . .

Trees of deodar and pine
waft through the chill
of a December evening,
like thousands of needles
piercing the body.

Darkness engulfs
the green meadow
and the government huts
surrounded by the hills
and the village
down below.

A poignant evening descends . . .

Silence and darkness
embrace everything
but the Dak bungalow.
Inside:
laughter and light.
Outside:
deodar and pine
sigh wistfully
like my daughter Seema.

Rasiya, the caretaker,
lights my cigarette first
and then his own.

Like a puppet-show
the play of shadows begins . . .

against the flimsy curtains
at the windows
shadows appear
then vanish.

I see a female head
then speculate about the rest . . .

Vigorously
Rasiya puffs at his cigarette:
“In the dark hours
fairies arrive.
Unseen by most,
they stay through the night.
You are a writer,
why don’t you write about them?”
It’s not just my hands,
my feet are frozen too.
Rubbing my arms, shoulders,
chilled to the bone,
I nod vaguely.

Puffing deep at his cigarette
Rasiya says again:

“To enjoy this divine landscape
only the adventurous few
come here in summer.
Or the fakirs
in winter.
Or sometimes
a filthy rich merchant . . .

Today’s visitor is a minister.
He will organize a job
for our son, Hunsoo . . .”

AN EVENING IN SANASAR

Yash Sharma

Yash Sharma

(India, 1929)

Landen

Ontdek andere dichters en gedichten uit India

Gedichten Dichters

Talen

Ontdek andere dichters en gedichten in het Dogri

Gedichten Dichters
Close

AN EVENING IN SANASAR

An Evening in Sanasar

A melancholy evening sinks
into the bowl of Sanasar . . .

Trees of deodar and pine
waft through the chill
of a December evening,
like thousands of needles
piercing the body.

Darkness engulfs
the green meadow
and the government huts
surrounded by the hills
and the village
down below.

A poignant evening descends . . .

Silence and darkness
embrace everything
but the Dak bungalow.
Inside:
laughter and light.
Outside:
deodar and pine
sigh wistfully
like my daughter Seema.

Rasiya, the caretaker,
lights my cigarette first
and then his own.

Like a puppet-show
the play of shadows begins . . .

against the flimsy curtains
at the windows
shadows appear
then vanish.

I see a female head
then speculate about the rest . . .

Vigorously
Rasiya puffs at his cigarette:
“In the dark hours
fairies arrive.
Unseen by most,
they stay through the night.
You are a writer,
why don’t you write about them?”
It’s not just my hands,
my feet are frozen too.
Rubbing my arms, shoulders,
chilled to the bone,
I nod vaguely.

Puffing deep at his cigarette
Rasiya says again:

“To enjoy this divine landscape
only the adventurous few
come here in summer.
Or the fakirs
in winter.
Or sometimes
a filthy rich merchant . . .

Today’s visitor is a minister.
He will organize a job
for our son, Hunsoo . . .”
Sponsors
Gemeente Rotterdam
Nederlands Letterenfonds
Stichting Van Beuningen Peterich-fonds
Prins Bernhard cultuurfonds
Lira fonds
Versopolis
J.E. Jurriaanse
Gefinancierd door de Europese Unie
Elise Mathilde Fonds
Stichting Verzameling van Wijngaarden-Boot
Veerhuis
VDM
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