Gedicht
Yash Sharma
An Evening in Sanasar
A melancholy evening sinksinto the bowl of Sanasar . . .
Trees of deodar and pine
waft through the chill
of a December evening,
like thousands of needles
piercing the body.
Darkness engulfs
the green meadow
and the government huts
surrounded by the hills
and the village
down below.
A poignant evening descends . . .
Silence and darkness
embrace everything
but the Dak bungalow.
Inside:
laughter and light.
Outside:
deodar and pine
sigh wistfully
like my daughter Seema.
Rasiya, the caretaker,
lights my cigarette first
and then his own.
Like a puppet-show
the play of shadows begins . . .
against the flimsy curtains
at the windows
shadows appear
then vanish.
I see a female head
then speculate about the rest . . .
Vigorously
Rasiya puffs at his cigarette:
“In the dark hours
fairies arrive.
Unseen by most,
they stay through the night.
You are a writer,
why don’t you write about them?”
It’s not just my hands,
my feet are frozen too.
Rubbing my arms, shoulders,
chilled to the bone,
I nod vaguely.
Puffing deep at his cigarette
Rasiya says again:
“To enjoy this divine landscape
only the adventurous few
come here in summer.
Or the fakirs
in winter.
Or sometimes
a filthy rich merchant . . .
Today’s visitor is a minister.
He will organize a job
for our son, Hunsoo . . .”
© Translation: 2009, Anil Sehgal
From: Tale of a Virgin River
Publisher: Monk Books, Mumbai, 2009
From: Tale of a Virgin River
Publisher: Monk Books, Mumbai, 2009
AN EVENING IN SANASAR
© 1990, Yash Sharma
From: Jo Tere Man Chitt Laggi Ja
Publisher: Vaasu Prakashan, Jammu
From: Jo Tere Man Chitt Laggi Ja
Publisher: Vaasu Prakashan, Jammu
Gedichten
Gedichten van Yash Sharma
Close
AN EVENING IN SANASAR
From: Jo Tere Man Chitt Laggi Ja
An Evening in Sanasar
A melancholy evening sinksinto the bowl of Sanasar . . .
Trees of deodar and pine
waft through the chill
of a December evening,
like thousands of needles
piercing the body.
Darkness engulfs
the green meadow
and the government huts
surrounded by the hills
and the village
down below.
A poignant evening descends . . .
Silence and darkness
embrace everything
but the Dak bungalow.
Inside:
laughter and light.
Outside:
deodar and pine
sigh wistfully
like my daughter Seema.
Rasiya, the caretaker,
lights my cigarette first
and then his own.
Like a puppet-show
the play of shadows begins . . .
against the flimsy curtains
at the windows
shadows appear
then vanish.
I see a female head
then speculate about the rest . . .
Vigorously
Rasiya puffs at his cigarette:
“In the dark hours
fairies arrive.
Unseen by most,
they stay through the night.
You are a writer,
why don’t you write about them?”
It’s not just my hands,
my feet are frozen too.
Rubbing my arms, shoulders,
chilled to the bone,
I nod vaguely.
Puffing deep at his cigarette
Rasiya says again:
“To enjoy this divine landscape
only the adventurous few
come here in summer.
Or the fakirs
in winter.
Or sometimes
a filthy rich merchant . . .
Today’s visitor is a minister.
He will organize a job
for our son, Hunsoo . . .”
© 2009, Anil Sehgal
From: Tale of a Virgin River
Publisher: 2009, Monk Books, Mumbai
From: Tale of a Virgin River
Publisher: 2009, Monk Books, Mumbai
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