Artikel
‘Who reads poetry?’
Defence of Poetry 1998: Les Murray
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18 januari 2006
Who reads poetry? Not our intellectuals:
they want to control it. Not lovers, not the combative,
nor examinees. They too skim it for bouquets
and magic trump cards. Not poor schoolkids
furtively farting as they get immunized against it.
Poetry is read by the lovers of poetry
and heard by some more they coax to the cafe
or the district library for a bifocal reading.
Lovers of poetry may total a million people
on the whole planet. Fewer than the players of skat.
What gives them delight is a never-murderous skim
distilled, to verse mainly, and suspended in rapt
calm on the surface of paper. The rest of poetry
to which this was once integral still rules
the continents, as it always did. But on condition now
that its true name is never spoken. This, feral poetry,
the opposite but also the secret of the rational,
who reads that? Ah, the lovers, the schoolkids,
debaters, generals, crime-lords, everybody reads it:
Porsche, lift-off, Gaia, Cool, patriarchy.
Among the feral stanzas are many that demand your flesh
to embody themselves. Only completed art
free of obedience to its time can pirouette you
through and athwart the larger poems you are in.
Being outside all poetry is an unreachable void.
Why write poetry? For the weird unemployment.
For the painless headaches, that must be tapped to strike
down along your writing arm at the accumulated moment.
For the adjustments after, aligning facets in a verb
before the trance leaves you. For working always beyond
your own intelligence. For not needing to rise
and betray the poor to do it. For a non-devouring fame.
Little in politics resembles it: perhaps
the Australian colonists’ re-inventing of the snide
far-adopted secret ballot, in which deflation could hide
and, as a welfare bringer, shame the mass-grave Revolutions,
so axe-edged. so lictor-y.
Was that moral cowardice’s one shining world victory?
Breathing in dream-rhythm when awake and far from bed
evinces the gift. Being tragic with a book on your head.
In poetry, our human consciousness, body and dreams are fused, says Les Murray. ‘If we accept the notion that human beings are fundamentally poetic, rather than rational or irrational, it has some interesting consequences’.
All of us here today presumably believe in poetry, so let start this talk with some. I wrote this poem titled ‘The Trances’ in 1996.Who reads poetry? Not our intellectuals:
they want to control it. Not lovers, not the combative,
nor examinees. They too skim it for bouquets
and magic trump cards. Not poor schoolkids
furtively farting as they get immunized against it.
Poetry is read by the lovers of poetry
and heard by some more they coax to the cafe
or the district library for a bifocal reading.
Lovers of poetry may total a million people
on the whole planet. Fewer than the players of skat.
What gives them delight is a never-murderous skim
distilled, to verse mainly, and suspended in rapt
calm on the surface of paper. The rest of poetry
to which this was once integral still rules
the continents, as it always did. But on condition now
that its true name is never spoken. This, feral poetry,
the opposite but also the secret of the rational,
who reads that? Ah, the lovers, the schoolkids,
debaters, generals, crime-lords, everybody reads it:
Porsche, lift-off, Gaia, Cool, patriarchy.
Among the feral stanzas are many that demand your flesh
to embody themselves. Only completed art
free of obedience to its time can pirouette you
through and athwart the larger poems you are in.
Being outside all poetry is an unreachable void.
Why write poetry? For the weird unemployment.
For the painless headaches, that must be tapped to strike
down along your writing arm at the accumulated moment.
For the adjustments after, aligning facets in a verb
before the trance leaves you. For working always beyond
your own intelligence. For not needing to rise
and betray the poor to do it. For a non-devouring fame.
Little in politics resembles it: perhaps
the Australian colonists’ re-inventing of the snide
far-adopted secret ballot, in which deflation could hide
and, as a welfare bringer, shame the mass-grave Revolutions,
so axe-edged. so lictor-y.
Was that moral cowardice’s one shining world victory?
Breathing in dream-rhythm when awake and far from bed
evinces the gift. Being tragic with a book on your head.
© Les Murray
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